ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Kay Deng ᱨᱮᱱᱟᱜ Destruction White निजी क्लब भितरी डिजाइन

Kay Deng ᱨᱮᱱᱟᱜ Destruction White निजी क्लब भितरी डिजाइन ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2021

Destruction White निजी क्लब भितरी डिजाइन

Kay Deng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Setone Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#119954 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Destruction White निजी क्लब भितरी डिजाइन ᱵᱟᱵᱚᱛ ᱛᱮ

बुक टेक्स्ट: डेस्ट्रक्शन व्हाइट एनेल निजी क्लब भितरी डिजाइन कान जाहाँ चीन रेयाक् नानचांग रेन् 1200 वर्ग मीटर सारेन् एरियाके ठाहेन आकाना। ए प्रोजेक्ट् मिनिमलिस्ट अप्रोच के सेवा एतकानाय, आर मूल स्ट्रक्चर बाहा ओड़ोक ओड़ोक तायोम आर बेस बेस कनेक्शन बना लागित नावा तेयार एनाय। खोंडोल रेयाक् ओपनिंगकिन दोसार खोंडोल रेन् डाइनिंग एरिया आर चोटा रेयाक् ओपन टीहाउस रे जोड़ ओड़ोका। एकटा टांगा इस्पात रेयाक् सीढ़ी जाहाँ अति पातला ट्रेड मेनाक कान, आरगे सारि खोंडोल जोड़ आ। सामग्री कोरे मेनाक कान अरबेस्काटो, बियांको बोतिचिनो, सनशाइन स्टोन, मंगोलिया ब्लैक, सादा मैट पेंट बोर्ड आर लाकड़ी रेयाक् फ्लोरिंग।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Destruction White निजी क्लब भितरी डिजाइन ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Destruction White निजी क्लब भितरी डिजाइन ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The designer continue the client's pursuit of a minimalist culture, with destruction as a start to reshape the space. After rigorous deliberation and demonstration, the soul, light, scenery and wind of architecture are remolded into the building. Let the space of different materials, skin, tone, texture harmony and unity, return to the essence of aesthetic values.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Project scale is 1200 square meters
ᱴᱮᱜ ᱠᱚ
Club, minimalist white, destruction, reconstruction, light, refinement
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Arabescato, Bianco Botticino, Sunshine stone, Mongolia black, White matte paint board, Wood floor
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Connecting the upper and lower space is a suspended steel staircase with ultra-thin treads. From top to bottom, the "light concept" is used to replace the minimalism, and the dynamic three-dimensional picture is interwoven with the light lights in the state of fish, allowing you to walk through the four floors easily.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The designer believes that the essence of minimalism lies in the perfect combination of architectural space composition, proportion and function. Therefore, by reorganizing the relationship of space, the original architectural form is broken through the way of crossing floors, so that people can feel the charm of space composition.
ᱯᱨᱮᱨᱚᱱᱟ
The designer in the domestic commercial buildings of the part of the present after a dialectical criticism with architectural composition technique, space design, the cantilever of the cross flights of stairs and entrance lounge Bridges, turned on the second floor of have dinner area of the upper space, let the dining area and three layers, establish effective connection open teahouse, landscape, space of multidimensional scale be redefined.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project was started in Apirl 2019, and was finished in February 2020 in Nanchang, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The designer proposed that the original space structure of the case had great limitations. In order to make the space more interesting and connected with each other, the architect used the technique of architectural composition to reconstruct the space after breaking open, so as to enhance people's sense of experience in the space and break the limitations of the space.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Setone design, 2021.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Kay
Don
Jef
Ling
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Ling,2021

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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