Duyi Han ᱨᱮᱱᱟᱜ The Saints Wear White गिर्जा ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021
The Saints Wear White गिर्जा
Duyi Han ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Atelier Duyi Han
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#117421 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Saints Wear White गिर्जा ᱵᱟᱵᱚᱛ ᱛᱮ
The Saints Wear White चीन देश रेयाक् Hubei प्रदेश रे, जाहाँय खोन् COVID-19 महामारी एटेद एना ताहेनाक्, मित् गिर्जा रेयाक् भितरि दिवाल आर छत रे मित् भित्ति चित्र आकान, जाहाँय रे डाक्टर आर नर्स को पुंडि सुरक्षा पोशाक लगाव केतेयाक् चित्र आकान। गिर्जा चित्रकला आर फ्रेस्को खोन् प्रेरणा लेका, नेयाक् चिकित्सा कामिया को सोमान एम् धन्यवाद एम् लागित् मित् श्रद्धांजलि कानाक्।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Saints Wear White गिर्जा ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Saints Wear White गिर्जा ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The Saints Wear White is both an artwork and an interior design that pay tribute to COVID-19 medical workers. The conceptual project sees the interior walls and ceilings of a church in China’s Hubei province - where the pandemic began - transformed into a large mural depicting figures dressed in white decontamination suits. The design of the interior experience takes inspiration from the historic style of church painting and fresco. The 3D renderings of this project are both an architectural proposal and visual art. Since the project was designed in February 2020, it has been shared widely online, bringing positive emotion and energy around the world, at a time when the world needed it urgently.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The area is 120 sqm.
- ᱴᱮᱜ ᱠᱚ
- Church, Chapel, Coronavirus, Covid, Covid-19, Immersive, Fresco
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This work is currently in its conceptual phase, existing as renderings. It was created as an avant-garde art: the images themselves exist online as if they are the photographs of a physical space. The physically realized version will use stucco, plaster, with painted fresco, in an actual chapel or as an independent interior installation.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The quick rise of the COVID-19 pandemic posed a challenging question to this work: quickly share renderings of it online, or wait until it is physically built? It was created as an avant-garde art: the renderings themselves exist online as if they are the photographs of a physical space. As realistic renderings, the images brought positive emotion and energy around the world, at a time when the world needed it urgently.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The focus of the project and the research is on the aesthetic experience of a space that brings strong emotion. As an art form, fresco painting is powerful in invoking the emotion of respect and sublimity. In Hubei Province and especially Wuhan, Western influence brought in churches and church art starting from the 19th century. In this context, the decision is to use this religious architectural and art form to celebrate and advocate for secular life-savers. The work may help people around the world feel emotionally touched in a common way and unite together. Therefore, it is both locally relevant and globally understandable.
- ᱯᱨᱮᱨᱚᱱᱟ
- The work pays homage to the anonymous doctors and nurses who are the heroes and saints during the time of a crisis. With recent reports of mistreatment and improvable work conditions of medical professionals in China, these people deserve higher regard. As an art form, fresco painting is powerful in invoking the emotion of respect and sublimity. The work may help people around the world feel emotionally touched in a common way and unite together.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This work was designed in February 2020 and was shared online since then. As realistic renderings, the images brought positive emotion and energy around the world, at a time when the world needed it urgently. The design is intended to be physically realized in Wuhan, China and in Italy, when possible.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The project is largely about immersive perceptual experience. The space's layout is similar to that of a church or chapel, with a main installation where a conventional altar would be. Visitors freely move around in the central open space.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Duyi Han
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Images: Duyi Han
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