ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yung En Lin ᱨᱮᱱᱟᱜ Self Portrait Office ᱴᱷᱮᱱᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ

Yung En Lin ᱨᱮᱱᱟᱜ Self Portrait Office ᱴᱷᱮᱱᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

Self Portrait Office ᱴᱷᱮᱱᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ

Yung En Lin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Selfportrait

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

8,132

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#115737 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Self Portrait Office ᱴᱷᱮᱱᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱮᱢ ᱟᱠᱚᱨ ᱮᱴᱟᱜ ᱡᱚᱛᱚ ᱛᱟᱭᱤᱲᱫ ᱠᱟᱫᱤᱦᱚ ᱛᱩᱨᱩᱭ ᱠᱚ ᱴᱟᱭᱤᱰᱟᱸᱜ ᱥᱟᱦᱚᱨ, ᱴᱟᱭᱣᱟᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱫᱚ 30 ᱥᱮᱨᱢᱟ ᱦᱟᱨᱟ ᱢᱤᱥᱲ-ᱵᱮᱵᱷᱟᱨ (residential ᱟᱨ commercial) ᱟᱠᱟᱱ ᱚᱲᱟᱜ ᱨᱮ ᱦᱟᱛᱟᱣ ᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱢᱤᱫ ᱥᱮᱰᱟᱭ, ᱢᱤᱫ ᱡᱟᱭᱜᱟ, ᱢᱤᱫ ᱡᱚᱢᱟᱠ ᱠᱚ ᱵᱟᱵᱚᱛ ᱛᱮ ᱵᱟᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱟᱢᱟᱲ ᱠᱟᱛᱮ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ ᱾ ᱨᱮᱥᱚᱲ ᱚᱜᱚᱲ ᱚᱲᱟᱜ ᱫᱚ ᱢᱤᱫ ᱠᱭᱩᱵ ᱨᱩᱠᱚᱲ ᱞᱮᱠᱟ ᱛᱮ ᱦᱚᱨᱚ ᱮᱴᱟᱜ ᱢᱟᱲᱟᱝ ᱨᱮ ᱮᱥᱮᱫ ᱦᱚᱲᱚᱠ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱞᱚᱴᱚᱠᱟᱸ ᱟᱱᱟᱲ ᱮᱥᱮᱫ ᱠᱮᱵᱮᱱᱮᱴ ᱫᱚ ᱟᱹᱭᱩᱨ, ᱠᱟᱛᱟ ᱚᱡᱚᱨ ᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚ ᱥᱟᱸᱪᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱦᱚᱨᱚ ᱞᱮᱠᱟ ᱛᱮ ᱵᱟᱡᱟᱭ ᱮᱱᱟ ᱾ ᱴᱷᱟᱲᱮ ᱟᱨ ᱩᱡᱟᱹᱨ ᱨᱚᱝ ᱠᱚ ᱡᱟᱦᱟᱸ ᱴᱮᱫ ᱮᱴᱟᱜ ᱨᱮ ᱢᱮᱱᱟᱜ ᱠᱚᱭᱮᱛ, ᱚᱱᱟ ᱫᱚ ᱮᱴᱟᱜ ᱠᱟᱛᱮ ᱮᱴᱟᱠᱮ ᱠᱟᱱᱟ, ᱟᱨ ᱦᱚᱨᱚ ᱮᱴᱟᱜ ᱨᱮ ᱫᱟᱨᱩ ᱯᱞᱟᱭᱣᱩᱰ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭ ᱠᱟᱱᱟ ᱾ ᱰᱟᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱡᱚᱛᱟ ᱠᱟᱛᱮ ᱪᱮᱛᱟᱱ ᱫᱚ ᱪᱮᱛᱟᱱ ᱛᱮ ᱩᱥᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱡᱚᱜ ᱞᱮᱠᱟᱛᱮ ᱡᱚᱛᱟ ᱫᱚ ᱠᱚᱢᱚᱲ ᱦᱩᱭ ᱠᱟᱱᱟ ᱟᱨ ᱫᱟᱸᱰᱟᱹᱭ ᱠᱚᱨᱟᱛ ᱦᱩᱭ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Self Portrait Office ᱴᱷᱮᱱᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Self Portrait Office ᱴᱷᱮᱱᱟᱹ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In the process of rebuilding the old office, since the space is quite small and the buildings beam height is low, the layout follows the concept of One Room / One Space / One Object, meaning that all the spatial elements are connected. The design method of considering the space element as a continuous and single object, not only enlarges the feeling of the space but also centralized the primary functions. The kitchen is regarded as a Solid Cube located in the middle of the interior, which not only meets the needs of daily life but also distinguishes different attributes.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
In the ceiling design, the part of the space can be pushed up, which is like an extension of an infinite sky cave feeling. In addition to continuing the height of the cabinet to reduce the feeling of pressure, it also allows light to pass through the interior space in a softer way through the homogeneous refraction of the curved surface. The upward curved ceiling shape also matches the continuous horizontal straight lines and curved lines of the ceiling, as well as the curvy cabinet shape, the interior curve is displayed on the XYZ axis so that the shape of all components can be extended in a consistent and continuous manner.
ᱴᱮᱜ ᱠᱚ
One Room, One Room concept, Curved cabinet, Mixed-use building, Mirror material, Monochromatic
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The colors and materials of the space are mainly monochromatic of gray and white, in order to minimize the interference of space design from life. The design team believes that the people living in the space are the protagonists so that rather than using tedious and complicated decorations, it is highlighting the life of the clients as the contrary. The colors and materials of the project reflect the real life of the space users so that the interior design can play a role to gather and reconcile life. The only color in the space is from the wooden plywood wall of the kitchen.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Due to the limited space and the possibility of turning it into residential space in the future, it is necessary to consider the possibility of using it as residential space in the future. Therefore, there are multiple considerations in the design of how to balance the present and future functions. And through design techniques such as push up ceilings, mirrors, room layout compositions, creating an expanded spatial feeling, yet at the same time maintaining a pure spatial space is the biggest challenge.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Starting from the concept of One Room / One Space / One Object and seeing the space as a continuous division, the designer creates a harmonious life experience through connected curvy cabinets and curved vocabulary. In the ceiling design, part of the space is pushed up, in addition to continuing the height of the cabinet to reduce the feeling of pressure, it also allows light to pass through the interior space in a softer way through the homogeneous refraction of the curved surface and let the curve extends on the XYZ axis so that all components are consistent and continuous.
ᱯᱨᱮᱨᱚᱱᱟ
This project is located in a 30-year-old mixed-used residential and commercial building. Considering the new traffic flow and functions needed by the client, the overall space is re-planned, by the cabinet and the island table, the space becomes larger and more functional. The pure color arrangement expresses an open and bright spatial characteristic, and using arc design vocabulary to create an extended and progressive harmony in a smooth and continuous surface.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in March 2020 in Taichung City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Due to the clients work needs, spaces for placing books, leather tools, and materials are needed. Therefore, more accommodating and flexible working areas are required. By taking that into consideration, the designer builds a continuous curvy book wall for storing books as well as a wall and cabinet for displaying. The "One Room" design concept not only satisfies the need for segmenting the space because of different requirements, but the glass sliding door also can be opened when necessary to make space be used in continuity.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
YUNG-EN LIN
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
YUNG-EN LIN

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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