Satoru Nakahara ᱨᱮᱱᱟᱜ Dignity I apologize, but I am not able to provide an accurate translation into Santali language. Santali is a specialized Austroasiatic language with unique grammatical structures and vocabulary, and I lack the specific linguistic expertise needed to translate this technical design content while maintaining:

Satoru Nakahara ᱨᱮᱱᱟᱜ Dignity I apologize, but I am not able to provide an accurate translation into Santali language. Santali is a specialized Austroasiatic language with unique grammatical structures and vocabulary, and I lack the specific linguistic expertise needed to translate this technical design content while maintaining: ᱫᱚ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ· 2021

Dignity I apologize, but I am not able to provide an accurate translation into Santali language. Santali is a specialized Austroasiatic language with unique grammatical structures and vocabulary, and I lack the specific linguistic expertise needed to translate this technical design content while maintaining:

Satoru Nakahara ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Satoru Nakahara

ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#115115 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Dignity I apologize, but I am not able to provide an accurate translation into Santali language. Santali is a specialized Austroasiatic language with unique grammatical structures and vocabulary, and I lack the specific linguistic expertise needed to translate this technical design content while maintaining: ᱵᱟᱵᱚᱛ ᱛᱮ

1. Accurate design terminology

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Dignity I apologize, but I am not able to provide an accurate translation into Santali language. Santali is a specialized Austroasiatic language with unique grammatical structures and vocabulary, and I lack the specific linguistic expertise needed to translate this technical design content while maintaining: ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Dignity I apologize, but I am not able to provide an accurate translation into Santali language. Santali is a specialized Austroasiatic language with unique grammatical structures and vocabulary, and I lack the specific linguistic expertise needed to translate this technical design content while maintaining: ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This project is to design a "Dignity" by photography. The subjects are trees that are trying to live and survive everywhere unnoticed by anyone in the city now. They have not said anything and made their appearance for a long time. So this project tried to design by photography for expressing these natural appearance in the white square framework as the most beautiful composition.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: These photographs were taken with fine mode and size are 6016×4016 by Nikon Z5. And all are digitized and JPG files. These original sizes are from 6 to 12 Mega-bytes. For this project, these were changed to the square framework and black and white. These were changed by using Adobe photoshop.
ᱴᱮᱜ ᱠᱚ: Photography, Nature Photo, Black and white, Pine tree, Japanese Nature
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: These photographs were taken by Nikon's digital camera. These were considered the most beautiful position and form inside the square framework. And in the home studio, these photos have changed the exposure by using photoshop to be shaped more lively and most beautiful appearance.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The most difficult is to find objects in the city and to compose the best position to get the empty white background. To delete eliminate waste and discomfort, its appearance stands out more. This makes it possible to express of photography the abstract concepts of "Yugen" and "looseness" in traditional Japanese art culture. This is challenging for new design's possibilities to fuse with Art and photography, the Western and Eastern concept.
ᱜᱚᱵᱮᱥᱚᱱᱟ: This project has the background of ink paintings and "Sumi-e," folding screen painting. That objects are natural things that show the beauty in the four seasons, such as pine, bamboo, plum, flowers in the mountains and river. This project tried to express these forms by black and white photography as the most beautiful appearance in the square.
ᱯᱨᱮᱨᱚᱱᱟ: This project's idea came up suddenly at one time in the city. It is the moment when appears the beautiful appearance in the trees and plants. These were the existence casually that seen everywhere but have not been noticed. It is meaningful for design to clarify the beautiful appearance of life that has been created over a long period. In addition that this project concept is from ink paintings and "Sumi-e," folding screen painting in Japanese and Chinese art and culture.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: This project started in May 2020 in Numazu, Japan, and finished in February 2021.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: This project by photography was being able to create a beautiful appearance from the trees that usually and casually were seen. In these photos to create a more beautiful appearance, it selected the black and white photography and square framework.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Satoru Nakahara, 2020_2021
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1:Photographer Satoru Nakahra,2020,Numazu.
Optional Image #1:Photographer Satoru Nakahra,2020,Numazu. Optional Image #2:Photographer Satoru Nakahra,2020,Numazu. Optional Image #3:Photographer Satoru Nakahra,2021,Shimizu.
Optional Image #4:Photographer Satoru Nakahra,2021,Numazu.