ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Caifu Li ᱨᱮᱱᱟᱜ Bojing Moon White Villa Interior Design

Caifu Li ᱨᱮᱱᱟᱜ Bojing Moon White Villa Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

Bojing Moon White Villa Interior Design

Caifu Li ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: T10+Design Alliance

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#112280 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Bojing Moon White Villa Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

बोजिंग मून व्हाइट काना एनटायार गाड़ी तिन ठाना ओड़ेआक् आर सेन्दा बेसमेंट रेयाक् एक्ता विला रेयाक् इंटीरियर डिजाइन, जाहा 1050 वर्ग मीटर सायाड़ आकाना। ओड़ाक् संरचना बहुत बदल एना। स्पेस को व्यवस्थित करेत् लागित व्यू रिस्पॉन्डिंग, व्यू बोरोइंग, व्यू फ्रेमिंग, एक्सटेंशन, वर्टिकल स्लिट्स आर स्ट्रक्चरल सिंकिंग लेखा तरीका को बेवहार अकाना। ग्लास सरफेस को सूर्य रोसोड़, हवा आर बाहरी दृश्य के भितरी दिशोम रे आना काना। सामग्री रेयाक् गादेल रे इदितकिया ओड़ोन, काठ रेयाक् फिनिश, रंग आर इटालियन डिजाइन रेयाक् फर्नीचर। कर्व्ड स्टील ग्लास हैंडरेल लो सामिल एना। बाबोन आर हड़ाम-बुरहीक् बिच रे शांत जोड़ाव तैयार लागित उद्देश्य कान।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Bojing Moon White Villa Interior Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Bojing Moon White Villa Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The structural change of this house is a little bit big. Designers adopt several methods to set up the structure of spaces, including view responding, view borrowing, view framing, extension, vertical slit, structural sinking, and the application of glass material, which naturally brings sunlight, breeze and external landscape into the interior, and enables a harmonious relationship between the interior and the exterior, enriching the visual perception and living experience of residents.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Project area: 1050 square meters
ᱴᱮᱜ ᱠᱚ
Nature, Humanity, Blank-Leaving Spaces, Overlook, Restriction
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
stone, wood finish, painting, Italian styled furniture, Glass rail with no handrails, Curved steel glass handrails
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
When we enter a space, how we feel is the starting point of my approach to analyzing a project.
After I have a certain understanding of a space, I may improve it from a more professional and detailed perspective, like how to structure the spaces, how to apply functions, including equipment and lighting.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The most important thing of designing is human's experience. What the design ultimately aims to achieve is the emotional communication between people and space, between people and people. Thus, there is a lot of connotation in experience.
The greatest value of design is to serve people. Space is like a container. If people could live there with sense of harmony and feel comfortable, that is the best design for dwelling.
ᱯᱨᱮᱨᱚᱱᱟ
In a traditional Chinese building, overlook is an art form. Thus, it is used quite a few times in this project. The communication between people does not have to happen in the same place; instead, it can also cut through walls and floors.
The house has three floors above with a basement. The rhythm of the house is well tuned, following the building's own melody, with nature and humanity as the main tone, and offer a good condition for "over look".
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Time: 2017.1 - 2020.4
Location: East Xingning road cross Jiangcheng road, Ningbo
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Step 1: the preliminary planning and design of space plane;
Step 2: draw the detailed space design scheme;
Step 3: the owner confirms the overall design scheme;
Step 4: draw construction drawings and confirm the list of building materials and furniture;
Step 5: deliver the construction drawings;
Step 6: supervise the construction process until it is finished.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer: Ying Liu

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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