ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hanliang Huang and Wenbai Xie ᱨᱮᱱᱟᱜ Encounter Primary Function: ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ

Hanliang Huang and Wenbai Xie ᱨᱮᱱᱟᱜ Encounter Primary Function: ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2021

Encounter Primary Function: ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ

Hanliang Huang and Wenbai Xie ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: B&t Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

19,897

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#109201 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Encounter Primary Function: ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: ᱮᱱᱠᱟᱩᱱᱴᱟᱨ ᱫᱚ ᱪᱤᱱᱟ ᱨᱮᱭᱟᱜ ᱯᱷᱩᱡᱤᱭᱟᱱ ᱯᱨᱚᱣᱤᱱᱥ ᱨᱮ ᱢᱤᱫ ᱰᱤᱡᱟᱭᱤᱱ ᱥᱴᱩᱰᱤᱭᱚ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱚᱯᱷᱤᱥ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱢᱤᱫ ᱟᱹᱰᱤ ᱛᱟᱲᱟᱢ ᱴᱷᱤᱡ ᱵᱞᱚᱠ ᱵᱷᱤᱛᱨᱮ ᱢᱤᱫ ᱚᱠᱛᱚᱢᱟᱱ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱫᱚᱦᱚ ᱠᱟᱜᱼᱟ ᱾ ᱮᱦᱚᱵ ᱡᱟᱭᱜᱟ ᱫᱚ ᱛᱟᱭᱚᱢ ᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱟᱨ ᱵᱷᱤᱛᱚᱨ ᱟᱨ ᱵᱟᱦᱨᱮ ᱛᱟᱞᱟᱨᱮ ᱢᱤᱫ ᱵᱟᱯᱷᱟᱨ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱯᱟᱦᱴᱟ ᱛᱮ ᱡᱷᱤᱡᱽ ᱟᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱞᱟᱛᱟᱨ ᱥᱮᱱ ᱟᱠᱟᱱ ᱟᱛᱟᱝ ᱟᱨ ᱫᱩᱨᱩᱵ ᱡᱟᱭᱜᱟ ᱫᱚ ᱧᱮᱞ ᱫᱟᱨᱟᱭ ᱛᱮ ᱡᱟᱭᱜᱟ ᱵᱚᱫᱚᱞ ᱟᱨ ᱢᱚᱱᱮ ᱨᱮ ᱵᱚᱸᱫ ᱦᱚᱱᱚᱛ ᱮᱢᱟᱜᱼᱟ ᱾ ᱜᱷᱩᱨ ᱟᱠᱟᱱ ᱫᱩᱣᱟᱨ ᱠᱷᱩᱞᱟᱹ ᱠᱚ ᱫᱚ ᱯᱞᱟᱱ ᱨᱮᱭᱟᱜ ᱥᱚᱡᱷᱮ ᱞᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱛᱟᱲ ᱮᱫᱟᱭᱟ ᱾ ᱠᱟᱺᱪ ᱠᱟᱱᱛᱷᱟ ᱠᱚ ᱫᱚ ᱵᱷᱤᱛᱚᱨ ᱟᱨ ᱵᱟᱦᱨᱮ ᱛᱟᱞᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟᱹ ᱫᱚ ᱫᱷᱩᱸᱫᱷᱞᱟᱹ ᱮᱫᱟᱭᱟ, ᱟᱨ ᱡᱟᱭᱜᱟ ᱫᱚ ᱢᱤᱫ ᱮᱴᱟᱜ ᱠᱷᱩᱸᱴᱟ ᱛᱮ ᱛᱮᱸᱜᱚ ᱟᱠᱟᱱᱟ ᱾ ᱡᱤᱱᱤᱥ ᱠᱚ ᱨᱮ ᱢᱟᱭᱠᱨᱚ ᱥᱤᱢᱮᱱᱴ, ᱥᱴᱤᱞ ᱯᱞᱮᱴ ᱟᱨ ᱯᱟᱨᱥᱟᱞ ᱠᱟᱺᱪ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Encounter Primary Function: ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Encounter Primary Function: ᱚᱯᱷᱤᱥ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
It means to leave a quiet place in a noisy street, to create an unexpected encounter, and to meet by chance in the integration of time, art and space. The interior and exterior boundaries are blurred in the inner and outer gray space, and there are different views in the upper and lower parts of the room. The sinking reception area forms a sense of dislocation visually and is enclosed psychologically. Art is the language of space, and decoration is not only the decoration of space.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Nature, pure embodiment of the meaning of space.
ᱴᱮᱜ ᱠᱚ
Quiet, pure, fashion, art, form
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Swedish Becco paint, micro cement, steel plate, transparent acrylic, clear glass.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The difficult part of the whole project is the creation of the art gallery, and the whole space is supported by only one column. Everything else is glass
ᱜᱚᱵᱮᱥᱚᱱᱟ
We are committed to strive for greater added value and quality of life for owners.
We always firmly believe that an excellent space design must fully serve the use of enterprises and living rooms, and ultimately indirectly bring volume / profit to the owners and improve the living quality of living rooms.
ᱯᱨᱮᱨᱚᱱᱟ
As a design-oriented office space, we always think about how to sort out the office and environment, people, sort out the logical tonality inside the space, and balance the integration of design and art. Therefore, we return to the design issue of "experiential office" as the key consideration, and properly handle the relationship between conceptual ideas and functionalism, hoping to present a space with a sense of ceremony and design, as well as a degree of human experience.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
February 2020 - July 2020,
Fujian Province, China
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
I have changed several office spaces for many years, but I haven't found the kind of space I want. Then when I see this space at the first sight, it makes people happy, in a small corner of the busy block. And the space is high enough to be attractive. So we quickly decided to make such a quiet place.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Hanliang Huang
Wenbai Xie
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Chen Rongkun's space photograph.2020

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ