ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yuewen Yang ᱨᱮᱱᱟᱜ Fillstudio Office Office Interior

Yuewen Yang ᱨᱮᱱᱟᱜ Fillstudio Office Office Interior ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

Fillstudio Office Office Interior

Yuewen Yang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Fillstudio

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#108273 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Fillstudio Office Office Interior ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱷᱤᱞᱥᱴᱩᱰᱤᱭᱚ ᱚᱯᱷᱤᱥ ᱢᱮᱱᱠᱷᱟᱱ ᱪᱭᱱᱟ ᱨᱮᱭᱟᱜ ᱜᱩᱭᱟᱸᱡᱳ ᱨᱮ ᱢᱤᱫ ᱰᱤᱡᱟᱭᱤᱱ ᱮᱥᱴᱩᱰᱤᱭᱚ ᱠᱟᱹᱢᱤ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱠᱷᱮᱛᱨ ᱒᱐᱐ ᱥᱠᱣᱮᱨ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱠᱚ ᱚᱪᱚᱠᱮᱱ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱛ ᱛᱮᱭᱟᱨ ᱥᱮ ᱨᱚᱲ ᱮᱢᱟᱭ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱡᱟᱭᱜᱟ ᱟᱨ ᱦᱮᱸᱫᱮ ᱜᱟᱱ ᱟᱹᱰᱤ ᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱮᱢᱟᱠᱟᱱᱟ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱨᱮᱭᱟᱜ ᱵᱮᱨᱟ ᱠᱚ ᱮᱴᱟᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱮᱛᱟᱦᱟᱭ ᱠᱟᱛᱮ ᱡᱳᱛᱚ ᱨᱮᱭᱟᱜ ᱡᱳᱛᱚ ᱨᱮ ᱥᱮᱫᱟᱭ ᱵᱟᱰᱟᱭ ᱮᱫᱟᱭ᱾ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱟᱱᱟ ᱡᱳᱛᱚ ᱞᱮᱴᱮᱠᱥ ᱯᱮᱱᱴ, ᱚᱛᱟ ᱯᱮᱱᱴ ᱟᱨ ᱳᱠ ᱵᱤᱱᱤᱭᱟᱨ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱥᱴᱚᱢ ᱟᱨᱴᱣᱟᱨᱠ ᱠᱚ ᱛᱮᱭᱟᱨ ᱮᱱᱟ᱾ ᱠᱚᱱᱴᱨᱳᱞ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱ ᱯᱨᱳᱯᱳᱨᱥᱚᱱ ᱟᱨ ᱫᱤᱱ ᱫᱚᱦᱲᱟ ᱫᱟᱨᱟᱢ ᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱮᱭᱟᱭ ᱠᱟᱛᱮ ᱮᱥᱴᱩᱰᱤᱭᱚ ᱨᱮ ᱢᱤᱫ ᱴᱷᱮᱸᱜ ᱛᱟᱦᱮᱱ ᱚᱴ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱦᱚᱲ ᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚ ᱥᱚᱢᱟᱱ ᱜᱟᱱ ᱦᱟᱡᱩᱜ ᱛᱟᱦᱮᱸᱟᱭ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Fillstudio Office Office Interior ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fillstudio Office Office Interior ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The designer has tried to interactand strike a balance with the original spatial structure by adapting the site, leveraging its advantages, or simply by implementing the desired effects.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Floor area: 200 square meters
ᱴᱮᱜ ᱠᱚ
Containers of time , Emotional Connection , Art Spaces , Contemporaneity , Offices
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The main materials of this project include white latex paint, floor paint and oak veneer.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Through control of the spatialproportionsand the absolute submission to and grasp of natural light (a vital material), the designer has provided the studiowithan immersive atmosphere in which people and objects are homogenized. People and objects have their own place, and there is no principal-subordinaterelationshipbetween the two.Objects seem to adopt a fresh and new look every day, and people have a greater awareness of the objects in the space.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Objects in space are often subject to changes. The addition of an item, the sudden change of natural light at certain times, or even visits from friends may also make the designer re-consider the spatial state.To some extent, the spatial state of the studio indicates the design team's concept of spaceas well as theirstrong vision of trying to practice contemporary lifeand aesthetics in an interdisciplinary way.
ᱯᱨᱮᱨᱚᱱᱟ
Human existence, in addition to certain, identifiable social images, when you are creating, in the process of thinking, an invisible you has been separated from the body, trying to extend you another way of being. This space will tell you everything about the designer.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was launched in Guangzhou, Guangdong Province, China, in January 2019 and completed in May 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In order to make full use of the lighting conditions of the base, the indoor layout of the wall as far as possible so that the light can be evenly penetrated in the space.Designers customize unique works of art for the space, bring a strong sense of art and attraction to the space, and provide a comfortable workplace for users.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Patent number: S0612019149384G(2-1)/ patent holder: Yang yuewen/year: May 16, 2017 solstice long-term/supervision of the state administration for market regulation
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer:Yang Yuewen
Assistant design:Wu Jin Lin Qianzhi Zeng Chunmei
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Figure # 1: photographer Lin Huimin,Fillstudio Office,In 2019.

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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