ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ya-Yun Weng ᱨᱮᱱᱟᱜ Life Scenery Nijer Oṛak̕ Bhitri Nakśa

Ya-Yun Weng ᱨᱮᱱᱟᱜ Life Scenery Nijer Oṛak̕ Bhitri Nakśa ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2021

Life Scenery Nijer Oṛak̕ Bhitri Nakśa

Ya-Yun Weng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Cen Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#107907 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Life Scenery Nijer Oṛak̕ Bhitri Nakśa ᱵᱟᱵᱚᱛ ᱛᱮ

Life Scenery hoṛo Tamsui, New Taipei City reyaḵ nijer oṛak̕ reaḵ bhitri nakśa kана. Bhitri jaega hisab lekha 66 square meter tea. Diri kuṛi sen, jom sen ar paṛhaw sen okoyko mihu juṭaw jaega hoṛ len akana. Purano mul deyaḵ ar kapoṛ dhon thaper ṭhen bo̠ge akaḏko nel raska̠ oṇoṛeṛ ar cala-bica̠ bes yaḏte. Cala baṇaw okoy jiniśko ai apin ṭheseḵ balance emo lelka̠. Jiniś ge, bahar deśreaḵ paint, seamless floor, bahar deśreaḵ diaḵ ar sarjom da̠ru ṭheseḵ khas baṇa laṛgi ḍaṇḍa dabu̠. Prakritiḵ rong okoy oṛak̕ko sereṇ ar bahareaḵ gaḏa saṇge juṭaw akaḏa.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Life Scenery Nijer Oṛak̕ Bhitri Nakśa ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Life Scenery Nijer Oṛak̕ Bhitri Nakśa ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
For the inclusion of relevant attributes for work and life, the design analyzes relationships, in view of the real and the unreal, between the living room, dining room, and study room via materials, arrangement, and lights. The traditional definitions of the main wall and closet are banished from the design in order to deepen vision of viewers and streamline the flow. The areal relation of three different attributes, by means of movable furniture design, displays a golden ratio of space in the balance of weight.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The indoor area is approximately 66 square meters.

With a limited budget, this design mostly employs special paints instead of combinations of various materials. The owner can feel the actual value of the place through different spaces and views from windows in hope of the extension of the style of the entity through framed scenery from windows and connection of cities; in hope of the arrangement which neutralizes natural light and extends vision via medium hue tone. The design reaches its intention: to reduce areal media and connect consistent atmosphere of space. In doing so, the design displays its beauty regardless of distances.
ᱴᱮᱜ ᱠᱚ
The vitality and flexibility of space, color, natural materials, customized, break with tradition
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Imported paints, seamless flooring, customized long tables made of old wood and other natural materials, imported lights, and imported mosaic.

In consideration of light and view, the designer perfectly combines spaces in large sizes with various materials in order to build the vastness and wideness of tall halls. The design forms a spatial atmosphere of elegance and vastness. In the limited space, the designer arranged with dedication the living room, dining room, and study room so that guests could have wonderful chilling moments and gather to enjoy the breeze and night view.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The designer team used infinite creativity with a finite budget!
In consideration of budget, the designer, for enhancing the variety of walls, highlights the colorful areas and provides two customized paintings. For example, the dining room takes white as the theme color while the master bedroom yellow. The one at the master bedroom, to extension, is omitted from traditional function: to cover a little window with certain. It is visually accentuated by the green background, making the space suffused with delight and vitality.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The design utilizes materials with natural tones to combine the house with sunlight and environmental features through lights, furniture, paintings, and decorations; therefore, memorable moments of the time being can stand out in the residence. Moreover, it can display actively and freely its different appearances of layers. The scenery of life is considered by the designer team the start of planning. With minimalized design terms and materials, every detail of the design properly redefines the blend of the culture of environmentalism and lifestyle.
ᱯᱨᱮᱨᱚᱱᱟ
Functioned as a living space and work environment, the design utilizes all the elements of a building located at a riverbank, including sunlight, air, and the natural conventions of water, for having the design pour itself into space and assert the dominance of life by dint of rhythm of lines and planes, destruction of striation, and five human senses. It produces delicate affection amidst delicate infection and humanity. By remaining the vitality and flexibility of space and, simultaneously, enriching the thickness and wideness of life, the main concept of design as the residence has been constructed.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
June 2020. Tamsui, New Taipei City.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In view of the design as a whole, the designers exclusively employ imported paints, seamless flooring, and customized long tables made of old wood and other natural materials for resistance to the weather alongside the riverbank. In addition to maintenance with convenience, the design properly controls hues, striations, and textures of building materials in order to combine the entity with the outdoor environment amid reality, weight, and existence; therefore, it infects the delicate affection between the owner and humanity.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Yabepark JMS,2020.
Image #2: Photographer Yabepark JMS,2020.
Image #3: Photographer Yabepark JMS,2020.
Image #4: Photographer Yabepark JMS,2020.
Image #5: Photographer Yabepark JMS,2020.

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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