Deng Zhichao ᱨᱮᱱᱟᱜ The Home of Bobo ᱨᱟᱶᱟ ᱵᱟᱸᱲᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021
The Home of Bobo ᱨᱟᱶᱟ ᱵᱟᱸᱲᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ
Deng Zhichao ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Research Commune Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#107726 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Home of Bobo ᱨᱟᱶᱟ ᱵᱟᱸᱲᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱵᱳᱵᱳ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱢᱮᱱᱟᱜ-ᱟ ᱢᱤᱫ ᱨᱟᱶᱟ ᱵᱟᱸᱲᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱟᱦᱟᱸ 150 ᱱᱟᱯᱟᱭ ᱢᱤᱴᱚᱨ ᱪᱚᱛᱟᱭ ᱠᱷᱟᱴᱚ ᱮᱢᱟ ᱠᱟᱱᱟ ᱟᱨ ᱵᱟᱨᱤᱭᱟ ᱱᱟᱯᱟᱭᱤ ᱞᱳᱯᱷᱴ ᱠᱷᱚᱱ ᱦᱚᱲᱟ ᱠᱟᱱᱟ᱾ ᱰᱷᱮᱨ ᱵᱮᱸᱦᱟᱨᱤᱠ ᱚᱰᱚᱠᱠᱚ ᱚᱪᱚᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱠᱷᱟᱴᱚ ᱠᱚ ᱨᱟᱥᱠᱟᱹ ᱟᱨ ᱠᱷᱩᱞᱟ ᱴᱷᱟᱶᱠᱟ ᱦᱚᱸ, ᱟᱨ ᱵᱟᱹᱲᱛᱤ ᱧᱮᱞ ᱛᱮ ᱮᱢ ᱟ᱾ ᱯᱩᱭᱞᱩ ᱴᱷᱟᱶᱠᱟ ᱨᱮ ᱵᱟᱴᱚᱛ ᱠᱳᱴᱷᱟ, ᱵᱷᱳᱡᱚᱱ ᱠᱳᱴᱷᱟ ᱟᱨ ᱨᱤᱫᱷᱟᱹ ᱠᱚ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ᱾ ᱫᱩᱭᱟᱨ ᱴᱷᱟᱶᱠᱟ ᱨᱮ ᱱᱤᱡᱮᱨᱟᱜ ᱴᱷᱟᱶᱠᱟ ᱢᱮᱱᱟᱜ-ᱟ, ᱡᱟᱦᱟᱸ ᱠᱟᱸᱪ ᱛᱮ ᱧᱮᱞ ᱟ ᱡᱚᱛᱚ ᱠᱚ ᱮᱢᱟᱭ ᱟᱠᱟᱱᱟ᱾ ᱴᱣᱤᱞ ᱞᱮᱢᱤᱱᱮᱴ ᱯᱷᱞᱚᱨᱤᱝ, ᱵᱟᱨᱱᱤᱥ ᱠᱟᱱ ᱯᱷᱟᱞᱠᱟ, ᱢᱟᱨᱵᱚᱞ, ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱟᱨ ᱫᱩᱞᱟᱲ ᱠᱟᱯᱲᱟ ᱠᱚ ᱱᱤᱛᱚᱜ ᱨᱚᱝ ᱠᱚ ᱥᱟᱶᱛᱮ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ᱾ ᱴᱷᱮᱱ ᱟᱲᱟᱜ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱤᱡ ᱫᱚ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱦᱟᱹᱴᱤᱧ ᱡᱚᱛᱚ ᱠᱚ ᱛᱮ ᱡᱟᱦᱟᱸᱠᱚ ᱵᱷᱨᱚᱢᱚᱬ ᱨᱮ ᱡᱚᱢᱟᱣ ᱟᱠᱟᱫᱟᱭ ᱚᱱᱟ ᱞᱟᱹᱜᱤᱫ ᱠᱷᱟᱴᱚ ᱦᱚᱸ ᱮᱢᱟᱭ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Home of Bobo ᱨᱟᱶᱟ ᱵᱟᱸᱲᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Home of Bobo ᱨᱟᱶᱟ ᱵᱟᱸᱲᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The original structure consisted of two lofts. Here, the designer removed most of the walls, making the space transparently bright, with a wide view.
The first floor connects the living room, the dining room and the kitchen through an open design that fits the hospitable character of the owner.
The second floor is the private space of the owner. It is not interpreted as a closed area. Instead, the intelligent use of glass creates a sense of transparency throughout the space. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Area: 150 sqm
Type: Residential - ᱴᱮᱜ ᱠᱚ
- Glass box, playful and variable, stylish, collection, smooth
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The furniture is attractive and unique. The designer skillfully matched their colors with the background tones, creating an artistic atmosphere. In terms of materials used, they are both contrasting and unified-the twill laminate flooring matches with varnished boards, the freshness of marble neutralizes carpet patterns, while the sofa's fabrics and a peculiarly person-shaped carpet create flexible, soft angles. Green plants by the window bring the touch of nature into the space.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- As the client is a collector and a travel enthusiast, he required that his home could house all interesting objects from trips. This was a challenge faced by the designer. Within the limited space, the designer needed to construct a playful and variable space, which could also meet the needs of placing collections.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The homogenization of commercial real estate forces them to live in the same type of apartments. Faced with this phenomenon, we want to create a space suited to their unique lifestyles, and awaken the love of young people for their own homes.
The original structure consisted of two lofts. Here, the designer removed most of the walls, making the space transparently bright, with a wide view. - ᱯᱨᱮᱨᱚᱱᱟ
- Nowadays, the young generations work in fast-paced cities, rushing from one place to the other without enthusiasm for life. To make things worse, the homogenization of commercial real estate forces them to live in the same type of apartments. Faced with this phenomenon, we want to create a space suited to their unique lifestyles, and awaken the love of young people for their own homes. Therefore, transparency and change are the keywords of our design.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Timetable: 2018.08-2019.05
Location: Chongqing, China - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The designer removed most of the walls, making the space transparently bright, with a wide view. The walls were designed following block patterns. The designer used surfaces with an array of low saturation colors that evoke a spiritual feeling, portraying spatial creativity and a compelling imagination. The space finds balance through the use of ethereal dark green tones complemented by restrained white tones, thus creating different layers of expression and blank spaces where "less is more".
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chief designer: Deng Zhichao
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Sean
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
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