ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Lei Wang and Song Liu ᱨᱮᱱᱟᱜ Full I apologize, but I'm unable to provide an accurate translation into Santali for this technical design content. Santali is a language that requires specialized knowledge, particularly for technical and design terminology, and I don't have sufficient expertise in Santali to ensure the translation would maintain:

Lei Wang and Song Liu ᱨᱮᱱᱟᱜ Full I apologize, but I'm unable to provide an accurate translation into Santali for this technical design content. Santali is a language that requires specialized knowledge, particularly for technical and design terminology, and I don't have sufficient expertise in Santali to ensure the translation would maintain: ᱫᱚ ᱠᱟᱞᱟ ᱥᱟᱢᱟᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱠᱟᱞᱟ ᱥᱟᱢᱟᱱ· 2021

Full I apologize, but I'm unable to provide an accurate translation into Santali for this technical design content. Santali is a language that requires specialized knowledge, particularly for technical and design terminology, and I don't have sufficient expertise in Santali to ensure the translation would maintain:

Lei Wang and Song Liu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Rongqi

ᱠᱟᱞᱟ ᱥᱟᱢᱟᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

45,130

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#107352 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Full I apologize, but I'm unable to provide an accurate translation into Santali for this technical design content. Santali is a language that requires specialized knowledge, particularly for technical and design terminology, and I don't have sufficient expertise in Santali to ensure the translation would maintain: ᱵᱟᱵᱚᱛ ᱛᱮ

1. Technical accuracy of design terms

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Full I apologize, but I'm unable to provide an accurate translation into Santali for this technical design content. Santali is a language that requires specialized knowledge, particularly for technical and design terminology, and I don't have sufficient expertise in Santali to ensure the translation would maintain: ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Full I apologize, but I'm unable to provide an accurate translation into Santali for this technical design content. Santali is a language that requires specialized knowledge, particularly for technical and design terminology, and I don't have sufficient expertise in Santali to ensure the translation would maintain: ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The design breaks the boundary between inside and outside, and the inner part supporting the writing function is integrated with the hand holding part through the hollow part. This is a fresh experience for users, who can clearly perceive the relationship between this inside and outside.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 15mm x Depth 15mm x Height 135mm,Weight 19 grams
ᱴᱮᱜ ᱠᱚ
hollow out, Industrial beauty, ballpen,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The design of Full-pen display the industrial beauty. It is made of aerospace alloy material, and formed by CNC milling, surface blasting, oxidation and other process to create a complete. The design language is "Hollow Out".A slender hollow has been milled on the complete body, to show the Schneider metal Refill inside. The slender hollow is cleverly avoided the finger contact area to hold the pen, which find the balance between beauty and human engineering.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
When designing this product, the major difficulty we encountered is to balance the expression of ergonomic factors and design concepts. Because of the “hollow out” design concept used in the pen holder, the size and shape of the interaction surface between the fingers and the pen need to be carefully considered to meet the needs of comfortable requirement.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In the digital age, there are fewer scenarios written with pens. Hand writing connects thinking and expression, and pen is the medium. At the beginning of the conception, the "Hollow Out" series explored the relationship between inside and outside. In addition to the function and appearance of the product, this inside and outside also contains the inner activities of the user and the true expression of the outside. Therefore, when doing this design, we used the metaphor of design to interpret these two relationships. After completing the design, we also invited the participants to participate in sensory and human-factor testing to evaluate the design elements such as the product's shape and mechanism.
ᱯᱨᱮᱨᱚᱱᱟ
Full ballpoint pen and Empty card case (Design #89764, A' Design Award, 2019 – 2020, A' Art Materials, Stationery Supplies and Gift Items Design Award) are the same series of products, which continue the design language of "hollow out".
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in April 2017 in Beijing and finished in August 2017 in Beijing.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The opening shuttle shape of the penholder skillfully divides the interaction area between the finger and the pen body when holding. The weight of the pen is reduced to 19 grams, which effectively controls the weight. The hollow part in the middle can also prevent the pen from rolling when it lay flat. It is easy to hold and put down. The color of the refill can be learned intuitively through the ribbon of the refill. At the same time, we can see the inner movement of the refill when we rotate the tip of the pen. This is a fresh experience.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Lei Wang,
Song Liu
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1:Photographer Song Liu, Image #2:Photographer Song Liu, Image #3:Photographer Song Liu, Image #4:Photographer Song Liu, Image #5:Photographer Song Liu.
Main image is Image #1, Optional Images are #2,#3,#4,#5.

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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