ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Parn Shyr, Yung-Hsi Peng and Pei-Chi Hung ᱨᱮᱱᱟᱜ Fu Hua Cheng An VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ

Parn Shyr, Yung-Hsi Peng and Pei-Chi Hung ᱨᱮᱱᱟᱜ Fu Hua Cheng An VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2021

Fu Hua Cheng An VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ

Parn Shyr, Yung-Hsi Peng and Pei-Chi Hung ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Parn Shyr Design Co., Ltd.

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#106880 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Fu Hua Cheng An VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱩᱛᱷᱤ ᱚᱱᱚᱲ: ᱯᱷᱩ ᱦᱩᱣᱟ ᱪᱮᱸᱜ ᱟᱱ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱱᱤᱣ ᱛᱟᱭᱯᱮ ᱥᱚᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱛᱩᱪᱮᱸᱜ ᱤᱞᱟᱠᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ୍ VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱩᱨᱵᱤ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱪᱟ ᱥᱮᱨᱮᱢᱚᱱᱤ (tea ceremony) ᱨᱮᱭᱟᱜ ᱟᱛ୍ᱢᱟ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱟᱠᱟᱱᱟ ᱾ ᱨᱤᱥᱮᱯᱥᱚᱱ ᱠᱟᱩᱱᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱩᱬᱩᱛ୍ ᱦᱤᱛ୍ ᱵᱮᱡ ᱛᱨᱟᱵᱷᱚᱴᱤᱱ ᱟᱨ ᱢᱟᱨᱵᱮᱞ ᱠᱷᱚᱱ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱠᱟᱛᱚ ᱨᱚᱸᱜ ᱨᱮᱭᱟᱜ ᱠᱟᱱᱟ ᱟᱨ ᱴᱷᱤᱠ ᱵᱟᱦᱟ ᱫᱟᱨᱟᱭ, ᱡᱟᱦᱟᱸ ᱥᱩᱠᱷ-ᱥᱟᱱᱛᱤ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱸ ᱠᱟᱱᱟ, ᱩᱱᱠᱩ ᱥᱮ ᱥᱟᱡᱟᱣᱚᱜ ᱠᱟᱱᱟ ᱾ ᱥᱚᱯᱷᱟ ᱮᱨᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱬᱩᱛ୍ ᱨᱮ ᱢᱟᱨᱟᱝ ᱠᱟᱴ-ᱢᱩᱬᱩᱛ ᱯᱟᱛᱷᱚᱨ ᱨᱮᱭᱟᱜ ᱯᱟᱱᱮᱞ ᱟᱠᱟᱱᱟ, ᱚᱱᱰᱮ ᱫᱩᱣᱟᱨ ᱠᱷᱚᱱᱛᱮ ᱴᱷᱮᱱ ᱠᱟᱱ ᱯᱟᱨᱴᱤᱥᱚᱱ ᱴᱮᱠ ᱵᱮᱱᱤᱭᱟᱨ ᱟᱨ ᱵᱨᱟᱥ ᱠᱟᱱ ᱤᱥᱯᱟᱛ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱫᱷᱤᱨᱤᱡ ᱦᱤᱞᱤ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱞᱟᱭᱤᱱ, ᱟᱨᱟᱝ ᱟᱨ ᱨᱤᱢᱤᱞ ᱡᱩᱲᱤ ᱛᱮ ᱢᱤᱫ୍ ᱥᱟᱱᱛ ᱟᱨ ᱥᱚᱴ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Fu Hua Cheng An VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fu Hua Cheng An VIP ᱨᱤᱥᱮᱯᱥᱚᱱ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
As this project was anchored creatively on the spirit of tea ceremony, the linework guides the interplay of light and shadow where the subtle sense of visual penetration adds many poetically metaphoric elements, such as lotus decor, aligned with the calligraphy character of roaming in the sofa area, being imbued in the interior as to articulate the essence of Posh Oriental Zen.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
At the entrance, the design technique of visual guidance was adopted to have the laser-engraved motif on the entrance door echoing with the geometric figures on the lobby floor in opening up a continuous visual perceptional experience. Amongst each functional space, there is no glamorous decoration, but only through the light and shadow amongst linework, subtle visual penetration can be created through the connection between layered detailing and Showa colors in the ultimate construct of the beauty of simplicity and serenity.
ᱴᱮᱜ ᱠᱚ
Cultural Zen Style, Nature, Tao, Art Style, Oriental Style
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Infused with natural materials and sculpting techniques to create an oriental Zen style ambiance with culture and nature in harmony, the main wall at the reception was made from beige travertine and marble in light color tone to bring about a peaceful and harmonious perception; the wall at the sofa area features large cut-face masonry panels, as the aging beauty of the materials articulates the robust sense of beauty; the surface texture of teak-veneered and steel-brushed partition up front at the entrance features a soft wave pattern embedded at the rose gold color edge, much like a gigantic but soft sculpture work.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
As limited by the surrounding environment, there is no view on-site, any visual centerpiece can only be created in the interior, therefore, the wall adopts a design of similar color-tones with different luminosity and contrast while the marble floor with geometric figures in the lobby features precise configuration and color scheme in design complemented in moderation by minimalist decorative elements such as pure white lotus, etc., to enrich the visual experiences.
ᱜᱚᱵᱮᱥᱚᱱᱟ
From the laser-engraved motif on the entrance door to the geometric figures on the lobby floor, the design configuration and color scheme are all very precise in its beauty of simplicity. With partial wall surfaces adopting large-cut masonry panel, and the materials subject to much weathering effect articulating the beauty of grandeur and masculinity. The reading room takes a neutral color tone, as the timber bookshelf wall articulating layers of configuration.
ᱯᱨᱮᱨᱚᱱᱟ
The main marble wall on the reception counter is decorated with lotus leaves, which is a symbol of good fortune in oriental culture, as well as resembling phonetically with the phrase of Safety and Harmony, and Peaceful Living, denoting beauty and peace. As any gaze at such large sculpture brings about a reflective and meditative effect similar to that from a tea ceremony, the lounge sofa area and its arrangement were inspired by the calligraphic character of Roam in forming a relaxing space.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project duration was from September to December 2019 in Tucheng District, New Taipei City, Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
As this project is situated in the densely populated New Taipei City, in order to allow the visitors to enjoy a brief moment of serenity, the Posh Oriental Zen style and the spirit of the oriental tea ceremony are infused into this design work while precise and harmonious color scheme, natural and flowing wooden pattern, and the large-cut humble masonry panel together create a tranquil atmosphere, as well as transparent and obscured spatiality through the visual penetration in each functional space, so that it brings some relief to any fatigued body and mind.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yung-Hsi Peng
Pei-Chi Hung
Parn Shyr Design
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Parn Shyr Design Co., Ltd.

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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