ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Sepehr Mehrdadfar ᱨᱮᱱᱟᱜ Gis ओल् कातिच्

Sepehr Mehrdadfar ᱨᱮᱱᱟᱜ Gis ओल् कातिच् ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022

Gis ओल् कातिच्

Sepehr Mehrdadfar ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Hamoun

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#105645 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Gis ओल् कातिच् ᱵᱟᱵᱚᱛ ᱛᱮ

Gis दो आइ आक्टा बाहा ओल् कातिच् कान्, जाहान्‌रे काँसा जाङ् मेनाक्‌आ आर बार्‌आ आकार सिमिं लोग् ते तेयार आकान आ, जे विसेस कुसियाक् साथ मिट् मुर्ति लेका उदुक आ । काठ रेयाक् गोट आर दाग को दोहो लेन आकान आ जे इनियाक् विसेस खुबि एम् होच् आ । इनियाक् अनोखो रुप होय् लेत् खान्, कुबुइ आर कोन रेयाक् होसियार डिजाइन लेकाते Gis एर्गोनोमिक कान आ । ने डिजाइन दो पुरा काठ रेयाक् संभावनाक् खोजित् कान आर कला आर डिजाइन, सुन्दोर्ता आर काम काज् रेयाक् किनार् रे चालाक् आ ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Gis ओल् कातिच् ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Gis ओल् कातिच् ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Gis is a three-legged wooden chair with bronze feet and is carved out from two walnut logs with exquisite craftsmanship to seem as a sculpture. The wood knots and scars are remained exposed to give the objects a special characteristic. Despite its uncanny appearance, Gis is ergonomic due to the careful design of curves and angles. The design is an exploration of solid wood possibilities and also is a walk on the edge of "Art" and "Design", "Beauty" and "Function".
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
width 600mm
depth 1000 mm
height 800 mm
ᱴᱮᱜ ᱠᱚ
Design, Chair, Furniture, Art, Persian, Contemporary
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Materials: Walnut Solid Wood, Bronze.
Completely Handcrafted.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The holy grail of this design was to reach a sculptural Persian aesthetic as the sprit for the body of “furniture design”.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This chair is a part of the Konj-e-Hess collection.
This collection is an exploration through which we try to answer a question: “Unrelated to the surrounding space, can we create objects that intrinsically radiate a place of their own, and create a “Konj-e-Hess”.
Konj-e-Hess was after a new measuring unit for aesthetics in design. Quite similar to how Iran and its culture sit in the middle on the world map, Konj-e-Hess tells a centrist narrative too. Somewhere on a sharp blade, it cuts off “tenacious design assumptions”; preconceived notions of the sort that “Media” inundates our minds with.
ᱯᱨᱮᱨᱚᱱᱟ
Gis has odd yet familiar visual qualities. That is why it steals the spotlight and sets its own place. The main leg's dainty form is inspired by a girl's ponytail; the premise from which the chair takes its name from. In Farsi, "Gis" means the tumble of a woman’s hair.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in March 2019 and finished in September 2019 in Tehran, Iran and was exhibited as a part of "Konj-e-Hess" exhibition.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Gis has sculptural qualities in its presence in the interior space. This chair is designed with an artistic approach in design to be a "good chair" and also an elegence piece of "art".
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Main Image: Photo by Kaj Art Group
Image #1: Photo by Kaj Art Group
Image #2: Photo by Sepehr Mehrdadfar, Hamoun
Image #3: Photo by Sepehr Mehrdadfar, Hamoun
Image #4: Photo by Sepehr Mehrdadfar, Hamoun

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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