ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Shun-Yuan Chang ᱨᱮᱱᱟᱜ Geometric Aesthetics Ba'wa Ghar Bhitri Nakshaa Bananaa

Shun-Yuan Chang ᱨᱮᱱᱟᱜ Geometric Aesthetics Ba'wa Ghar Bhitri Nakshaa Bananaa ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2020

Geometric Aesthetics Ba'wa Ghar Bhitri Nakshaa Bananaa

Shun-Yuan Chang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Unique Things Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#101067 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Geometric Aesthetics Ba'wa Ghar Bhitri Nakshaa Bananaa ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Geometric Aesthetics kanae ek ba'wa ghar bhitri nakshaa bananaa 70 square meter ghar reyaǩ lagit Taoyuan, Taiwan re. Aḍi re pe tinḍ kotha, ek jiwi'i̇ń jayga ar ek jom jayga taiyar akana. Mit'ta̢ mananaǩ television ittil jiwi'i̇ń kamra ko sarjom ka̢ta̢, ar sarjom sanam ra̢ka̢p akana jaha se̢ta̢ jayga ge dhukiya̢r la̢ka̢ bhas ka̢ta̢. Iron cha̢kti ko sada baha̢ ra̢ka̢p ko bena̢o ka̢ta̢, ale barga ar goṭ akrit ko geometry ka̢ ba̢hu ka̢ta̢. Diri ar sisit dara̢ kombine ka̢na akana natural sing sanaŋ sa̢ŋge ek santosh mon reyaǩ bhaw taiyar reyaǩ lagit. Mit'ta̢ retractable ittil khaṭ pa̢ṛhaw̃ ar dhapa̢ jayga ko juṛao ka̢ta̢, ale ra̢ka̢p akana dara̢ meṭ ko sanchay jayga sar ka̢ta̢.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Geometric Aesthetics Ba'wa Ghar Bhitri Nakshaa Bananaa ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Geometric Aesthetics Ba'wa Ghar Bhitri Nakshaa Bananaa ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In "Geometric aesthetics," we optimize the effect of space, rendering both functional and spatial senses. Thanks to the large scale of the TV wall, the living room space is thus extended. Further, the ceiling is raised as much as possible, so that the public space becomes higher as well. Moreover, the space is sculptured as integrated with the simple and neat outline of iron pieces, and outlined with the geometric elements of square and circle.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
70 sqm
ᱴᱮᱜ ᱠᱚ
Geometric aesthetics, Zen, Stone Material,Warm Wood Material
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In the 21-ping interior space, the maximum space for utilization is created, including the use of a retractable wall bed, so as to combine the reading area and the sleeping area. Moreover, the wooden floors are raised to increase the storage in the room; and a spring-loaded tableboard makes the bar fit for flexible uses.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In a space of only 21 pings, while creating three bedrooms and two rooms for living as well as dining, it not only meets the storage needs for the hostess, but also meets the needs for the magnanimity and Zen style, for the host of the house.
ᱯᱨᱮᱨᱚᱱᱟ
The "Zen" means a calm and stable state of the mind. Such state of the mind is simply a state of intuition that comes spontaneously.Different from the elements of Eastern Zen, however, we incorporate the calmness of stone material and lively colors into the wood, with the large-scale design and the introduction of natural sunlight. To return to the original Zen style, it is to combine with the nature to achieve the spiritual state of harmony between human and nature.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project finished in July in Taoyuan, Taiwan(R.O.C).
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
We create an electrical cabinet with different orientations based on the orientation of the space, so as to overcome the problem of the small space of the kitchen. Together with the vertically rising door sheet hardware, we effectively reduce the space occupied by the door sheet when opened. Also, the connecting sliding glass door visually enlarges the space of the dining area. In addition, the open design renders the public area for the dialogue as well.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: SHU RONG LIN
Designer: QING PEI LI
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Mark Hsu

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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