ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Li Liu ᱨᱮᱱᱟᱜ Longhu Lake SK West Lake Stars Primary Function: ᱟᱠᱨᱤ�companyᱟ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ

Li Liu ᱨᱮᱱᱟᱜ Longhu Lake SK West Lake Stars Primary Function: ᱟᱠᱨᱤ�companyᱟ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Longhu Lake SK West Lake Stars Primary Function: ᱟᱠᱨᱤ�companyᱟ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ

Li Liu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Zhuxiang Design Inc.

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#100336 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Longhu Lake SK West Lake Stars Primary Function: ᱟᱠᱨᱤ�companyᱟ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱞᱚᱸᱜᱷᱩ ᱫᱟᱨᱮᱭᱟ SK ᱨᱟᱲᱟ ᱫᱟᱨᱮᱭᱟ ᱤᱯᱤᱞ ᱠᱚ ᱫᱚ ᱥᱩᱡᱷᱚ, ᱪᱤᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱠᱨᱤ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ ᱠᱟ�ناᱟ᱾ ᱱᱚᱠᱥᱟ ᱛᱷᱤᱢ ᱫᱚ ᱤᱯᱤᱞ ᱟᱨ ᱧᱤᱸᱫᱟ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱨᱚᱝ ᱠᱚ ᱨᱮ ᱟᱫᱷᱟᱨ ᱢᱮᱱᱟᱜ-ᱟ, ᱟᱨ ᱯᱚᱥᱴ-ᱢᱳᱰᱟᱨᱱ ᱛᱚᱨᱤᱠᱟ ᱥᱟᱶᱛᱮ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱜᱮᱞ ᱢᱤᱴᱟᱨ ᱩᱥᱩᱞ ᱢᱤᱫ ᱦᱚᱞ ᱫᱚ ᱢᱩᱬᱩᱛ ᱛᱮ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱮᱱᱟ, ᱟᱨᱠ-ᱟᱠᱟᱨ ᱜᱮᱞ ᱠᱚ ᱟᱨ ᱜᱮᱞ ᱵᱟᱨ ᱡᱷᱟᱞᱠᱟᱣ ᱦᱤᱨᱟ ᱠᱚ ᱡᱟᱦᱟᱸ ᱜᱮᱞ ᱵᱟᱨ ᱛᱟᱨᱟ ᱢᱚᱸᱰᱚᱞ ᱠᱚ ᱫᱟᱨᱥᱟᱣᱮᱫᱟ᱾ ᱯᱩᱭᱞᱩ ᱛᱟᱞᱟ ᱨᱮ ᱥᱳᱱᱟ ᱨᱚᱝ ᱟᱨ ᱫᱚᱥᱟᱨ ᱛᱟᱞᱟ ᱨᱮ ᱠᱚᱨᱟᱞ ᱜᱩᱞᱟᱵᱤ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾ ᱡᱤᱱᱤᱥ ᱠᱚ ᱨᱮ ᱢᱟᱨᱵᱮᱞ, ᱨᱚᱝ ᱚᱠᱛᱚᱭᱟᱠᱟᱱ ᱟᱠᱨᱤᱞᱤᱠ ᱯᱟᱴ ᱠᱚ, ᱦᱚᱴ-ᱢᱮᱞᱴ ᱠᱟᱸᱪ, ᱫᱷᱟᱛᱩ ᱜᱨᱤᱰ ᱯᱚᱨᱫᱟ ᱠᱚ ᱟᱨ ᱨᱚᱝ ᱚᱠᱛᱚᱭᱟᱠᱟᱱ ᱥᱟᱠᱟᱢ ᱯᱟᱴ ᱠᱚ ᱢᱮᱱᱟᱜ-ᱟ᱾ ᱢᱤᱫ ᱜᱷᱩᱨᱟᱶ ᱦᱟᱸᱰᱤ ᱫᱚ ᱵᱟᱨᱭᱟ ᱛᱟᱞᱟ ᱠᱚ ᱡᱚᱲᱟᱣᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Longhu Lake SK West Lake Stars Primary Function: ᱟᱠᱨᱤ�companyᱟ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Longhu Lake SK West Lake Stars Primary Function: ᱟᱠᱨᱤ�companyᱟ ᱥᱮᱸᱴᱟᱨ ᱵᱷᱤᱛᱚᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics, where the future meets with palettes of architect Luis Barragan. And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Main Materials: Gray or white water-stone, Ariston Kalliston marble, colorful acrylic plates, hot-melt glass, metal grid curtain, dyed wooden panels, golden metal plates, griege leather, etc.
ᱴᱮᱜ ᱠᱚ
star, poetic,aesthetics, post modern
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Business area and service space are set at wing and gray space with its half outside, the service bar counter is available for cares indoors and semi-outdoors. Main colors in the business area origin from cool colors as royal light in polar lights, dotted with few warm colors in order to make clients devoted to listening and feeling. The colors in the area shared by male and female toilets origin from warm colors as coral pink in polar lights, dotted with few cool colors in order to deliver warm and soft emotions. Parts of the wing are made of metal, leather or texture, showing much finer design, and art devices supported by the field features make it available for owners to experience the real aesthetics.A spiral staircase stands at the axis opposite to the major product show area, core of the design quality, the star sculpture displayed below is connected with diamonds on the ceiling lamp, going up along the staircase, brilliant, bright and delicate.
Going from golden color on F1 to the large-size coral pink on F2, owners may experience the showrooms with rhythmic feeling and aesthetic cares.
A dynamic line with a hollow square is designed in the space on F2, where several interactive art devices are set, making owners feel the value necessary for the design and art life.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics.And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics, where the future meets with palettes of architect Luis Barragan. And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
ᱯᱨᱮᱨᱚᱱᱟ
With spaces changed, a 10m high hall comes before eyes, based on the post-modern design logics, it is specially to highlight structural beams in arc, creating a space core pure and mysterious. The golden color in a large size makes the space exquisite but not luxurious. Twelve diamonds, shining, represent twelve constellations in the universe. The core theme at the star aesthetics center shows, the hall is a major point for marketing, where sand table, location, are completely displayed.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Design Time: Apr 2019
Open Time: Jul 2019
Site: Tongda Road, Wuzhong Development Zone, Suzhou City,China
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The design inspiration originates from colors of stars and the bright sky, and the post-modern design context is connected with star aesthetics, where the future meets with palettes of architect Luis Barragan. And gorgeous colors are borrowed to remove the monotony that mainstream indifferent styles present in current fields; the interlacing between lights, colors and arrays are adopted to create a poetic aesthetic space the post modern design owns for the future.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Zhuxiang Design Inc.
Chief designer: Li Liu
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photography: Ruchu Photography Studio

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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