Urszula Giren इत्यनेन कृतं The Birth of a Book पुस्तकम्

Urszula Giren इत्यनेन कृतं The Birth of a Book पुस्तकम् इति मुद्रण एवं प्रकाशित माध्यम अभिकल्पना प्रतियोगितावर्गे 2020 A' Design Award सुवर्णपुरस्कारः इत्यस्य अत्यन्तं प्रतिष्ठितः विजेता अस्ति।

सुवर्णम्मुद्रणम्· 2020

The Birth of a Book पुस्तकम्

कर्तृ Urszula Giren

ग्राहकः: Urszula Gireń

मुद्रणम् वर्गे A' Design Award सुवर्णपुरस्कारः विजेता

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स्थलं पश्यतु A' Design Award मध्ये पश्यतु सংवादविज्ञप्तिः पुरस्कारचिह्नम्

वर्णाः

परिकल्पना

The Birth of a Book पुस्तकम् विषये

पुस्तकस्य जन्म इति षोडशशतके पोलण्ड्-देशे पुस्तकाभिकल्पनविषये मुद्रितं प्रकाशनम् अस्ति। इदं पुस्तकं पुरातनमुद्रणानि वास्तविकपरिमाणेन प्रदर्शयति, येन पाठकाः मूलस्वरूपाणि द्रष्टुं शक्नुवन्ति। धूलिवेष्टनं पुरातन-अष्टपत्रक-स्वरूपे प्रयुक्तां पृष्ठविन्यासविधिं दर्शयति। पट्टिकारूपं पुस्तकचिह्नं फोलियो-चतुष्पत्रक-अष्टपत्रक-पुस्तकानाम् उन्नतीः अङ्कयति। शीर्षकपृष्ठेषु काष्ठोत्कीर्णचित्राणि वर्णविपर्ययेण मुद्रितानि सन्ति, यानि कृष्णमष्या आच्छादितानां मातृकाणां स्मरणं कारयन्ति। अस्य परिमाणं २५६ गुणित ३२० मिलीमीटर् अस्ति, ५६० पृष्ठैः प्रायः १२०० चित्रैश्च सहितम्। पुनरुज्जीवनकालीनमुद्रणविधीनां विस्तृतपाठकवर्गाय व्याख्यानम् एव अस्य उद्देश्यम्।

मान्यता

A' Design Award सुवर्णपुरस्कारः विषये

The Birth of a Book पुस्तकम् A' Design Award सुवर्णपुरस्कारस्य विजेता अस्ति; अयम् अपरिमितं प्रतिष्ठितः सम्मानः प्रथमश्रेणीयेभ्यो विस्मयजनकेभ्य उत्कृष्टेभ्यश्चाभिकल्पेभ्यो दीयते। सुवर्णविजेतारोऽत्यन्तं नवोन्मेषिन्यो गहनदूरदर्शिन्यस्तेजोभिश्चक्षुराकर्षिण्यश्च सृष्टयः सन्ति, याः स्वाभिकल्पकानां प्रतिभां प्रज्ञां कौशलं च प्रतिबिम्बयन्ति। The Birth of a Book पुस्तकम् सर्वाधिकप्रशंसितः प्रवृत्तिनिर्माता स्मारकीय आविष्कारो भविष्यतीति प्रत्याशा क्रियते, योऽभूतपूर्वं मूल्यं ददाति। A' Design Award सुवर्णपुरस्कारं जितवद् एतद् अभिकल्पकार्यं दर्शनीया आदृता परियोजना अस्ति, या कलाया विज्ञानस्याभिकल्पस्य प्रौद्योगिक्याश्च सीमा महता लाभेन विस्तारयति। The Birth of a Book पुस्तकम् तीव्राः कामना उद्बोधयति, उत्साहं जनयति, सृजनशीलताम् उत्साहयति, अस्मान् मोहयति च।

परिकल्पनायाः पृष्ठतः

सम्वादसामग्री

परिकल्पकेन प्रदत्ताः श्रेयसि, दलसदस्याः तान्त्रिकविवरणानि च।

अद्वितीयगुणाः: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
आयामाः एवं सम्पुटीकरणम्: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
सूचकशब्दाः: renaissance book, first roman typefaces, old prints, typography
उत्पादनप्रौद्योगिकी: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
परिकल्पना-आह्वानम्: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
अनुसन्धानम्: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
प्रेरणा: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
परियोजनाकालः: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
प्रचालनप्रवाहः: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
चित्रश्रेयः: Urszula Gireń / 2019