Valentina Favaro इत्यनेन कृतं Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः

Valentina Favaro इत्यनेन कृतं Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः इति वस्त्रशिल्प, तन्तु, विन्यास, आकृतिबन्ध एवं वस्त्र अभिकल्पना प्रतियोगितावर्गे 2020 A' Design Award कांस्यपुरस्कारः इत्यस्य अत्यन्तं प्रतिष्ठितः विजेता अस्ति।

कांस्यम्वस्त्रशिल्पम्· 2020

Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः

कर्तृ Valentina Favaro

ग्राहकः: Valentina Favaro

वस्त्रशिल्पम् वर्गे A' Design Award कांस्यपुरस्कारः विजेता

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#92045 कृते पुरस्कारस्थितिं सत्यापयतु

स्थलं पश्यतु A' Design Award मध्ये पश्यतु सংवादविज्ञप्तिः पुरस्कारचिह्नम्

वर्णाः

परिकल्पना

Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः विषये

एताः परिकल्पनाः अन्वेषयन्ति यत् अङ्कीय-युगस्य प्रतिक्रियायां प्रोग्राम्य-सामग्रीणां प्रयोगेन अस्माकं नगर-वस्त्रेषु कथं गतिः मूर्तिमान् भवितुम् अर्हति। उद्देश्यम् अस्ति शरीर-गति-सम्बन्धस्य विश्लेषणं सामग्रीभिः सह सम्बन्धेन, तेषाम् अनुकूलनेन प्रतिक्रियया च। मूर्तीकरणस्य अर्थः भौतिक-रूप-धारणम्—आधारः वास्तविकतायां बोधे च वर्तते। गतेः मूर्तीकरणं मार्गः यस्य न केवलं संकल्पात्मकं सामाजिकं वा लक्ष्यम् अपितु कार्यात्मकम् अपि। प्रेरणा प्राप्ता विविधक्रीडा-कार्येषु अस्माकं शरीराणां गति-ग्रहणं कुर्वता।

मान्यता

A' Design Award कांस्यपुरस्कारः विषये

Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः A' Design Award कांस्यपुरस्कारस्य विजेता अस्ति; अयम् उच्चप्रतिष्ठितः सम्मानः सृजनशीलतया उद्भावनकौशलेन तीक्ष्णप्रज्ञया च विशिष्टेभ्य उत्कृष्टेभ्योऽभिकल्पेभ्यो दीयते। कांस्यविजेतारः प्रचुरकौशलयुक्ता उल्लेखनीयतया सृजनशीलाश्च शिल्पकृतयः सन्ति, याः स्वाभिकल्पकानां विपुलम् अनुभवं कल्पनाशक्तिं साधनसम्पन्नतां च प्रमाणयन्ति। Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः अत्यन्तं मूल्यवान् प्रशंसितः प्रियश्च पदार्थः, उल्लेखनीयतया व्यावसायिको नवोन्मेषयुक्तश्च भविष्यतीति प्रत्याशा क्रियते। A' Design Award कांस्यपुरस्कारं जितवद् एतद् अभिकल्पकार्यं कलाविज्ञानाभिकल्पप्रौद्योगिकीनां श्रेष्ठतमाः पद्धतीः समावेशयति सूक्ष्मांशेषु ध्यानाच्च उत्कृष्टम् अस्ति। Materializing the Digital त्रिआयाम-मुद्रिताः परिवर्तनशीलाः पटाः अस्माकम् आवश्यकताः सुन्दरं पूरयति, कामनाः स्पृशति, भावान् मोहयति, जिज्ञासां चाकर्षयति।

परिकल्पनायाः पृष्ठतः

सम्वादसामग्री

परिकल्पकेन प्रदत्ताः श्रेयसि, दलसदस्याः तान्त्रिकविवरणानि च।

अद्वितीयगुणाः: These designs explore how movement can be embodied in our urban garments through the use of programmable materials in response to the digital era.Aiming to analyze the relation between body and movement, through the connection with materials, and their adaptation and reaction to this. Materialization means to assume material form: the emphasis is on reality and perception. To materialize the movement is a path which has not only a conceptual and social goal, but also a functional one.
आयामाः एवं सम्पुटीकरणम्: Transformable 3d printed fabrics are a research based on the development of programmable materials. Printing with a solid material ( in this case verbatim primalloy to assure the right solidity meanwhile being flexible on the body) on a stretched fabric, means when the fabric will be released it will take different shapes based on the texture which has been printed.
Every piece of fabric has been done 40 for 40 cm when stretched ( the dimension of the available 3d printer I had) and less, depending on the texture, when realised.
In these way fabrics become adaptive and reactive.
Before it the use of motion capture has been really useful to understand body movements during the activities and to analyze and research to later design.
सूचकशब्दाः: programmable fabrics, transformable fabrics, digital era, 3d printing, movement, adaptation, reaction, materialisation, changeability
उत्पादनप्रौद्योगिकी: This work focuses on the programmable fabrics: this means fabrics which are stretchable and can react, trough shrinking, to the contrast of the more solid matter 3d printed on them.
In prestressed textiles, textiles with a high degree of elasticity, such as neoprene and jersey, can be used as the active material of the programmable composite. Less elastic material, such as plastic, can be used as the non-active material to structure the textile and constrain its stretched state.
Moreover the research beginning the shapes study, and done on the movements of the body during different activities, has been done through the motion capture of people biking, running and skating.
परिकल्पना-आह्वानम्: The hardest part has been facing the production possibilities, and still is open a question on how to produce the collection on a large scale.
Besides also the design challenge of putting together a conceptual reflection on our time, and a functional study for our body.
अनुसन्धानम्: The aim of this research is to analyze and underline the relation between body and movement, through the connection with materials, and their adaptation and reaction to this. This research explores the possibility to create a new category of fabrics
.
The narration behind this is a reflection on the digital ages we are living in, where virtual is overwhelming the physical aspects of life.

We are now the new tribe of digital natives. Digital people in digital environments. The research explores the question: how can movement be embodied in our urban garments through the use of programmable materials in response to the digital era?
Moreover, in support to the conceptual world of materialization versus volatility, of tangible vs intangible, physical vs virtual, it follows an investigation on what is movement, how we can produce and trace it.
The focus is on the challenge of materialize our movements, in order to bring awareness on our situation.
What would be a world only virtual? How can we save the material world?

We need to investigate the essence of our physical body, the movement. This is the story, or better say, the wardrobe, of our new digital era; of the materialization of movement.
प्रेरणा: These designs investigate the possibility to create a new category of fabrics enabling movement and using it as source of inspiration for the creation of new shapes. The narration behind this is a reflection on the digital ages we are living in, where virtual is overwhelming the physical aspects of life.
We are now digital people in digital environments. How can we save the material world?
This is the story, or better say, the wardrobe, of a digital era, of the materialization of movement.
परियोजनाकालः: The project started in Ravensbourne university in January 2019 and ended as my own dissertation in October 2019.
प्रचालनप्रवाहः: These clothes have been design studying a way to embrace the movement of our body and, at the same time, as a reflection on how this digital era is making everything more virtual, literally tracing the shape of movement on fabrics. So both, functional and conceptual.
On the practical aspect this has been made choosing three activities that are riding our urban scenario (biking, skating and running), and which makes us needing adaptable clothing more and more everyday.
People movements, making these activities, have been analysed through the use of motion capture. The movements has been traced through the use of Maya software, and after it studied and elaborated into skatches.
In these phase the functional part has been interwoven with the conceptual one.
Once decided the shapes and movements for every outfit, the fabrics has been stretched on a 3d printer and printed, so once released it could shrink into shapes.
After this the design was sewn ( due to the little dimension of the 3d printer plate every part has been divided in more and sewn together)
चित्रश्रेयः: Image #1: photographer Suthathip Saepung/ model Savannah Smith/ model Sara Dett /creator Valentina Favaro
Image #2: photographer Suthathip Saepung/ model Savannah Smith/ model Sara Dett /creator Valentina Favaro
Image #3: photographer Suthathip Saepung/ model Savannah Smith/ creator Valentina Favaro
Image #4: photographer Suthathip Saepung/ model Savannah Smith/ creator Valentina Favaro
Image #5: photographer Suthathip Saepung/ model Sara Dett /creator Valentina Favaro