Ecust Creplus Design इत्यनेन कृतं Longmen Realm प्रदर्शनी-अभिकल्पनम् इति आभ्यन्तर अवकाश एवं प्रदर्शनी अभिकल्पना प्रतियोगितावर्गे 2026 A' Design Award कांस्यपुरस्कारः इत्यस्य अत्यन्तं प्रतिष्ठितः विजेता अस्ति।
कांस्यम्आभ्यन्तरम्· 2026
Longmen Realm प्रदर्शनी-अभिकल्पनम्
कर्तृ Ecust Creplus Design
ग्राहकः: Lingshan Museum
आभ्यन्तरम् वर्गे A' Design Award कांस्यपुरस्कारः विजेता
सत्यापितपुरस्कारविजेता
#183008 कृते पुरस्कारस्थितिं सत्यापयतुपरिकल्पना
Longmen Realm प्रदर्शनी-अभिकल्पनम् विषये
लोङ्गमेन्-लोकः इति प्रदर्शनी लोङ्गमेन्-गुहाभ्यः ६७ नहि ७६ पुरावस्तूनि प्रस्तौति, यत्र बौद्धमूर्तयः, शिलोत्कीर्णचित्राणि, लिपिमुद्रणानि च अन्तर्भवन्ति। इयम् अभिकल्पना स्थानिकसंयोजनेन, संस्थापनतत्त्वैः, प्रकाशव्यवस्थया च संग्रहालयस्थलं पुनः संरचयति, येन स्पष्टदर्शनं व्याख्यानं च समर्थ्यते। लम्बमानपताकाः, प्रतिबिम्बकभूतलम्, समन्वितप्रकाशव्यवस्था च संरचितं दृश्यपरिवेशं निर्मान्ति। अन्तःक्रियात्मकतत्त्वानि दर्शकसहभागितां छायाचित्रग्रहणं च प्रोत्साहयन्ति, येन सांस्कृतिकधरोहरं प्रति जनसामान्यस्य अभिगमः वर्धते।
मान्यता
A' Design Award कांस्यपुरस्कारः विषये
Longmen Realm प्रदर्शनी-अभिकल्पनम् A' Design Award कांस्यपुरस्कारस्य विजेता अस्ति; अयम् उच्चप्रतिष्ठितः सम्मानः सृजनशीलतया उद्भावनकौशलेन तीक्ष्णप्रज्ञया च विशिष्टेभ्य उत्कृष्टेभ्योऽभिकल्पेभ्यो दीयते। कांस्यविजेतारः प्रचुरकौशलयुक्ता उल्लेखनीयतया सृजनशीलाश्च शिल्पकृतयः सन्ति, याः स्वाभिकल्पकानां विपुलम् अनुभवं कल्पनाशक्तिं साधनसम्पन्नतां च प्रमाणयन्ति। Longmen Realm प्रदर्शनी-अभिकल्पनम् अत्यन्तं मूल्यवान् प्रशंसितः प्रियश्च पदार्थः, उल्लेखनीयतया व्यावसायिको नवोन्मेषयुक्तश्च भविष्यतीति प्रत्याशा क्रियते। A' Design Award कांस्यपुरस्कारं जितवद् एतद् अभिकल्पकार्यं कलाविज्ञानाभिकल्पप्रौद्योगिकीनां श्रेष्ठतमाः पद्धतीः समावेशयति सूक्ष्मांशेषु ध्यानाच्च उत्कृष्टम् अस्ति। Longmen Realm प्रदर्शनी-अभिकल्पनम् अस्माकम् आवश्यकताः सुन्दरं पूरयति, कामनाः स्पृशति, भावान् मोहयति, जिज्ञासां चाकर्षयति।
परिकल्पनायाः पृष्ठतः
सम्वादसामग्री
परिकल्पकेन प्रदत्ताः श्रेयसि, दलसदस्याः तान्त्रिकविवरणानि च।
- अद्वितीयगुणाः
- The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
- आयामाः एवं सम्पुटीकरणम्
- Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
- सूचकशब्दाः
- Longmen Grottoes, Exhibition Design, Installation, Museum Space
- उत्पादनप्रौद्योगिकी
- The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
- परिकल्पना-आह्वानम्
- The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
- अनुसन्धानम्
- The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
- प्रेरणा
- The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
- परियोजनाकालः
- The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
- प्रचालनप्रवाहः
- Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
- दलसदस्याः
- Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI - चित्रश्रेयः
- Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group
प्रायोजितम्
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सम्बन्धिताः परिकल्पनाः
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