Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa na Yuko Suzuki

Umushinga Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa wa Yuko Suzuki ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo Gishingiye ku Ikoranabuhanga.

ZahabuIgishushanyo Gishingiye ku Ikoranabuhanga· 2025

Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa

na Yuko Suzuki

Umukiriya: Feral File

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Igishushanyo Gishingiye ku Ikoranabuhanga

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #170864

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa

Iki gikorwa gikora ubushakashatsi ku kibazo: Gushushanya ni iki? mu kwerekana kuzenguruka kw'imigaragarire. Gihumekewe n'impinduka mu mashusho ya Mondrian, gishingiye ku gishushanyo cy'ibice by'ishusho, aho imiterere yimuka hagati y'ibigaragara n'ibidafatika, na hagati y'urusaku n'imirongo - igitekerezo cyakoreshejwe ku mabara. Igikorwa kiranga imiterere ihindagurika y'ibintu bya mudasobwa, cyibanda ku kuba imiterere iri hagati y'impinduka ari yo nyamukuru. Mu gushyiramo imiterere yacapwe ikoresheje baren, bigaragaza umwirondoro w'umuhanzi nk'umucapa mu buryo bwa mudasobwa.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Changes Cycles and Shapes Ubuhanzi bwa Mudasobwa itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Ibipimo n'Ipaki: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Ibibazo Fatizo: Generative Art, Coding
Ikoranabuhanga ryo Guteza Imbere: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Ikibazo cy'Ishusho: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Ubushakashatsi: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Ibyatumye Habaho: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Igihe cy'Umushinga: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Uburyo bw'Imikorere: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Abafotoye: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.