Mayday 5525 Live Tour Igitaramo na B'in Live

Umushinga Mayday 5525 Live Tour Igitaramo wa B'in Live ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Ubuhanzi bwo ku Buhagararire.

ZahabuUbuhanzi bwo ku Buhagararire· 2025

Mayday 5525 Live Tour Igitaramo

na B'in Live

Umukiriya: B'in Live

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Ubuhanzi bwo ku Buhagararire

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #162176

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Mayday 5525 Live Tour Igitaramo

Urugendo rwa Mayday 5525 rwizihiza isabukuru y'imyaka 25 n'urugendo rw'ihinduka mu gihe n'umuziki. Bazwiho gukangura ibiyumviro byihariye, ibitaramo byabo bireba insanganyamatsiko nk'umwirondoro, ibidukikije, n'ikiremwamuntu. Urubuga rufite ubugari bwa metero 12 hamwe n'imipira itanu ya LED y'ibice bitatu ifite metero 5, bigereranya umwuka w'itsinda n'isano n'abakunzi. Iri genekerezo rikubiyemo rihuza umuziki n'amashusho, ryongera ingaruka z'amarangamutima n'imikoranire y'abahanzi. Iki gitaramo ntabwo ari igitaramo gusa; ni inkuru mu majwi n'umucyo, ituma abantu batekereza ku biyumviro n'insanganyamatsiko rusange.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Mayday 5525 Live Tour Igitaramo ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Mayday 5525 Live Tour Igitaramo biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Mayday 5525 Live Tour Igitaramo itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The stage design breaking away from the previous 2D screen, the stage has a 12-meter diameter and five 5-meter 3D LED spheres. Their surfaces are seamlessly spliced together to create a three-dimensional space where images can be seen more clearly. As the performance progresses, it can be a concrete earth, moon, balloon, etc., or a soul, brainwave, even a memory. The visualization method visualizes the music and allows the artists to interact with the stage, making the performance more powerful.
Ibipimo n'Ipaki: The stage was 90m wide, with a huge 12m diameter, 10-ton sphere and five 5m diameter, 3-ton spheres. A total of 13,000 pieces of special-specification LED were used to form them. And the base of the stage was also equipped with plenty of LED screens. The console area was integrated into the stage design as a hemisphere. The audience holds reusable lighting sticks, which can pair to their seats via App or NFC for sync to the lighting controller to extend the stage design to the entire venue.
Ibibazo Fatizo: Mayday, Time machine, AI animation, Tour, Concert, Sphere LED
Ikoranabuhanga ryo Guteza Imbere: Using the LED spheres, the stage began like an aircraft then transformed into a time machine that leads the audience to travel through time and space. The song "Sun Wu Kong" expresses the spirit of adventure, while the song "Song of battle" reflects on diversified issues. The closing song "Dokodemo Door" highlights family, friendship, and looking forward to the future. Various Easter eggs in video contents connect the band's progress and fans' memories which makes more discussion after the show.
Ikibazo cy'Ishusho: Organizing a concert is a race against time. The manufacturing process of the sphere is complex and requires overcoming issues such as size, workmanship, and production efficiency. Video content of the spheres are needed to ensure that the holographic projection-like effect can be clearly presented at different angles. And also needs to avoid blocking the audience's view by lighting and audio equipment. This all required skillful structural techniques to ensure its safety.
Ubushakashatsi: In order to bring out the concept of Mayday's 25th anniversary, the program uses Mayday's music as a time machine to lead the audience back to the day that belongs to their own memories. Through video content, the program expresses the spirit of adventure, reflecting on diverse issues such as self-identity, environmental conservation, and human nature, demonstrating the impact of music, and attempting to utilize AI animation technology to imagine another possibility of parallel worlds.
Ibyatumye Habaho: 5525 is a large-scale tour by Mayday for their 25th anniversary. Their music from their debut to the present day is like a time machine that leads the audience back to the day of their own memories. The first of its kind in Taiwan, the giant spherical LED installation symbolizes the spirit of the five members and the souls of their fans. AI animation technology is also used to integrate the visual with virtual and real, giving the audience an unforgettable concert experience.
Igihe cy'Umushinga: The concert started on 31 December 2023 in Taichung, and continues touring around the world now.
Uburyo bw'Imikorere: It’s a complete storytelling, sound, and light-integrated design experience, featuring original version and new arrangements songs. In addition to the sensory effects such as lights & lasers, the band's history and fans' memories are also interspersed in the video content. This kind of emotional resonance is the most fascinating part of the concert, as it doesn’t intentionally create a nostalgic and sentimental atmosphere, but rather reveals the common memory between the band and the fans inadvertently.
Abagize Itsinda: Concert Director: Yu-Hsuan Wu
Concert Associate Director: Sih-Jie Chen
Production Manager: Ming-Wen Tan
Visual Director: Yen-Chih Chen
Visual Design: Yen-Chih Chen / Kuan-Wen Chen / Che-Teck Lim / Ya-Chi Yu / Yan-Tung Tsai / Yu Wang
Stage Design: Hsing-Hsin Lee / Chin-Hsiang Hsieh
Lighting Design: Hsiang-Lin Wu / Ssu-Chi Chen / Jian-Feng Sun
Laser Design: Chen-Chieh Hsia / Shao-Wei Lin
Live Sound Design: Chih-Yang Chuang / Shih-Chieh Huang / Leung-King Au / Yen-Kai Chuang
Abafotoye: B'in Music International Limited