Museum Hanmi Exhibition Igishushanyo cy'Igitabo na Sunghoon Kim

Umushinga Museum Hanmi Exhibition Igishushanyo cy'Igitabo wa Sunghoon Kim ni uwatsinze igihembo cyubahwa cyane 2023 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Inyandiko Zisohoka.

BuronzeInyandiko Zisohoka· 2023

Museum Hanmi Exhibition Igishushanyo cy'Igitabo

na Sunghoon Kim

Umukiriya: Museum Hanmi

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Inyandiko Zisohoka

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #147990

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Museum Hanmi Exhibition Igishushanyo cy'Igitabo

Yashushanyije ikusanyirizo ry'amafoto rya "Imbere no Inyuma, Amateka y'Ifotografiya yo muri Koreya 1929-1982", ari ryo ryafunguye imurikagurisha rya Inzu Ndangamurage ya Hanmi. Nk'imurikagurisha ry'amateka rireha ku myaka 50 ishize y'ifotografiya yo muri Koreya, rikurikirana inzira ifotografiya yo muri Koreya yakoreye amateka kuva mu 1929 kugeza mu 1982 hakurikijwe amabwiriza n'ibigo. Hamwe n'imurikagurisha, iki gitabo kizafasha gukurikirana inzira ifotografiya yo muri Koreya yakoreye amateka hakurikijwe amabwiriza n'ibigo, kandi kizaba umwanya w'agaciro wo gushyiraho amateka y'ifotografiya yo muri Koreya.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Museum Hanmi Exhibition Igishushanyo cy'Igitabo ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Museum Hanmi Exhibition Igishushanyo cy'Igitabo biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Museum Hanmi Exhibition Igishushanyo cy'Igitabo ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: He were directly inspired by the word photo because it is an exhibition photo book that looks back on Korea’s photography history over the past 50 years. Black and white were actively used as design elements on the cover and interior of the book, using photographic techniques that are printed in the way of light and darkness. The exhibition title is Inside Out, so he used intuitive parentheses as graphic elements.
Ibipimo n'Ipaki: Softcover book, 170mm x 240mm x 38mm, 512 pages, the cover of two versions black and white, black cover is glossy black and glossy red hot foil stamping, white cover is pearl and glossy red hot foil stamping, bookbinding fully unfolded
Ibibazo Fatizo: MUSEUM HANMI, Photo Book, Book, Photography, Design, Editorial, Graphic, Typography
Ikoranabuhanga ryo Guteza Imbere: To express light and darkness, the paper on the cover was made in two versions: black and white. The black version is hot foil stamping with glossy black and glossy red, and the white version is hot foil stamping with pearl and glossy red. He printed it on matte paper so that the pictures of the past could be realized well. The book was tied with thread so that it could be fully unfolded and the back of the book has not adhered to.
Ikibazo cy'Ishusho: The biggest goal is to understand the purpose of the exhibition while following in the footsteps of the institutional conditions in which Korean photography has made history and to convey its meaning well in the photo book. Also, since it is a photo book, He wanted to find a design methodology so that the techniques and elements of photography could be expressed in the book, and the two elements of light and darkness presented a great direction.
Ubushakashatsi: Over the years, he reviewed and organized the LIMB Eungsik’s Scrapbook, the largest archive of Korean photographers owned by MUSEUM HANMI. Based on this, he collected and organized photo materials with the help of various related organizations, bereaved families, and writers. Through this, he found the lost link in Korean photography history and filled the gap in the scrapbook. These efforts will serve as a foundation for academic attempts to establish the history of Korean photography.
Ibyatumye Habaho: He designed a photo collection of , which is the opening exhibition of the MUSEUM HANMI SAMCHEONG. As a historical exhibition that looks back on the past 50 years of Korean photography, he follow in the footsteps of what institutional conditions Korean photography made history from 1929 to 1982.
Igihe cy'Umushinga: The project began in Seoul, South Korea in August 2022 and ended in January 2023. In Korea, books have been distributed to customers since January 2023.
Uburyo bw'Imikorere: He designed this book hoping that it will be a memorable book so that visitors to the exhibition can feel their feelings and thoughts about Korea’s photo history even after the exhibition. Along with the exhibition, the book will help follow the footsteps of Korean photography under what institutional conditions it has made history and will be a valuable opportunity to establish Korea’s photography history.
Abagize Itsinda: Creative Directed & Designed by Kim Sunghoon
Abafotoye: Kim Sunghoon