Yatsugatake Villa Ivila na Kiyotoshi Mori and Natsuko Kawamura

Umushinga Yatsugatake Villa Ivila wa Kiyotoshi Mori and Natsuko Kawamura ni uwatsinze igihembo cyubahwa cyane 2022 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ubwubatsi.

BuronzeUbwubatsi· 2022

Yatsugatake Villa Ivila

na Kiyotoshi Mori and Natsuko Kawamura

Umukiriya: MDS Co., Ltd.

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Ubwubatsi

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #129187

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Yatsugatake Villa Ivila

Ivila ya Yatsugatake ni indiro y'igihe cy'impeshyi iherereye mu mujyi wa Hokuto, mu ntara ya Yamanashi, mu Buyapani. Iyi nyubako igizwe n'imiyoboro itatu ifite imiterere ya trapezoide, ziteguwe mu buryo bw'ipapiro rikwirakwiza (fan shape), zifunguriye mu majyepfo. Umwenge munini w'amajyepfo wemerera urumuri rw'izuba kwinjira mu gihe cy'itumba gikonje, mu gihe igisenge kirambuye n'inkuta z'impande zibuza izuba rikaze ryo mu impeshyi kwinjira cyane. Amadirishya ari mu majyaruguru no mu majyepfo areka umuyaga uhuha ukanyura imbere mu nyubako. Iyi nyubako yubatswe hakoreshejwe uburyo gakondo bw'Ubuyapani bwo kubaka mu biti, hakoreshejwe igiti cya sederi (cedar), ipulasitiri, n'inzitizi za shoji (shoji screens). Iyo inzitizi za shoji zifunze, zitanga urumuri woroheje, naho iyo zifunguye, zigaragaza neza ubwiza bw'imisozi ikikije iyi nyubako.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Yatsugatake Villa Ivila ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Yatsugatake Villa Ivila biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Yatsugatake Villa Ivila ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Ibipimo n'Ipaki: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Ibibazo Fatizo: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Ikoranabuhanga ryo Guteza Imbere: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Ikibazo cy'Ishusho: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Ubushakashatsi: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Ibyatumye Habaho: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Igihe cy'Umushinga: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Uburyo bw'Imikorere: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Abagize Itsinda: Kiyotoshi Mori
Natsuko Kawamura
Abafotoye: Photography: Toshiyuki Yano