Umushinga Ceramics Extension Kwishyiriraho Ibihangano wa Tairan Hao and Shan Xu ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Ubuhanzi Bwiza.
BuronzeUbuhanzi Bwiza· 2020
Ceramics Extension Kwishyiriraho Ibihangano
Umukiriya: Tairan Hao
Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Ubuhanzi Bwiza
Uwatsinze Igihembo Yemejwe
Emeza Uko Igihembo Gihagaze ku #104079Imigereranyo
Ibyerekeye Ceramics Extension Kwishyiriraho Ibihangano
Kwiyubaka bikozwe namashusho gakondo yakozwe namabuye yubukorikori hamwe nibishusho bya plastiki byacapwe 3D. Ubuhanzi nigishushanyo kirimo kugerageza kugeza ibyiyumvo bikomeye kubateze amatwi ko ikintu cyose, buriwese, ibintu byose byaguwe bitagira akagero. Hamwe no gushushanya, ni uguhuza igice cyibintu babona ari ukuri, ariko ibindi bintu nibigaragazwa nindorerwamo, bikaba bidashoboka. Imikoranire ituma abantu batekereza ko binjiye mu isi yigitekerezo yaremwe ubwabo.
Ishimwe
Ibyerekeye Igihembo cya A' Design Award cya Buronze
Ceramics Extension Kwishyiriraho Ibihangano ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Ceramics Extension Kwishyiriraho Ibihangano biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Ceramics Extension Kwishyiriraho Ibihangano ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.
Inyuma y'Imigereranyo
Dosiye y'Itangazamakuru
Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.
- Ibintu Bidasanzwe
- The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
- Ibipimo n'Ipaki
- half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
- Ibibazo Fatizo
- Installation, Art, 3D Printing, Ceramics, Sculpture
- Ikoranabuhanga ryo Guteza Imbere
- 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
- Ikibazo cy'Ishusho
- The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
- Ubushakashatsi
- The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
- Ibyatumye Habaho
- The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
- Igihe cy'Umushinga
- The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
- Uburyo bw'Imikorere
- When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
- Patente
- Copyrights belong to Shan Xu and Tairan Hao, 2017
- Abagize Itsinda
- Designer: Shan Xu
Artist: Tairan Hao - Abafotoye
- Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017
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