Ismail Niyaz Mohamed nisqap Coming of Age Siq'iy diseñon

Ismail Niyaz Mohamed nisqap Coming of Age Siq'iy diseñonqa Rikchay Hapiy Kamay Atipanakuy T'aqapi 2020 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruRikchay Hapiy· 2020

Coming of Age Siq'iy

Ismail Niyaz Mohamed rurasqa

Mañakuq: Ismail Niyaz Mohamed

Rikchay Hapiy T'aqapi A' Design Award Fierru Premiu Atipaq

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Taripasqa Premio Atipaq

#96148 nisqapaq Premio Kayninta Taripay

Kunan Tariy Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Coming of Age Siq'iy nisqamanta

Hapunpi, Kuraq Runaman Tukuy raymiqa raymichakun iskay chunka watayuq sipaskunapaq, waynakunapaqpas. Ancha allin pachami, chaypiqa wawa kayninmanta lluqsispa kuraq runamanmi tukunku, kamachiykunayuq, ruwaynayuq, qispinayuqpas. Huk kutilla kawsaypi hatun raymiqa. Sipaskunaqa kimonota churakunku, waynakunañataq kimonota otaq Occidental p'achatam. Sapa watam kay raymi raymichakun iskayniyuq lunes Enero killapi.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Coming of Age Siq'iy A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Coming of Age Siq'iy sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Coming of Age Siq'iy yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
Tupukuna & P'istuy: Nikon D4
1/100 sec f2.8
14mm
ISO 160
Etiquetakuna: japan, culture, traditional, kimono, bamboo
Ruway Tecnología: Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED
Diseño Sasachakuy: The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
T'aqwiy: Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
Kallpachay: The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan.
Llamk'ay Pacha: It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
Purichiy Puriy: I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
Huñu Runakuna: Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model)
Siq'i Hayñikuna: Ismail Niyaz Mohamed (Photographer)