Zhulin Shi nisqap Sense Move Tusuy P'acha diseñon

Zhulin Shi nisqap Sense Move Tusuy P'acha diseñonqa Churana Kamay Atipanakuy T'aqapi 2020 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiChurana· 2020

Sense Move Tusuy P'acha

Zhulin Shi rurasqa

Mañakuq: Last Lab Inc.

Churana T'aqapi A' Design Award Qullqi Premiu Atipaq

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Taripasqa Premio Atipaq

#90799 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Sense Move Tusuy P'acha nisqamanta

Sense Move nisqaqa k'anchaq p'acham tusuqkunapaq ruwasqa. Kay p'achaqa geometriya rikch'aykunaman patarukun, kurkupa kuyuyninta qatispa, escenariopi kuyuq rumi ruwasqa hina tukun. K'anchay ruwaykunaqa tikraq sunqu kuyuykunatam rikuchin. Allillamanta wañuchisqa k'anchayqa samayta rikuchin, tuytuykachaq k'anchaytaq kusikuyta rikuchin. Huk musyaq maki p'achamanta huk kaqmi p'achapi kachkan. Uyariqkunamanta huknin tusuqpa makinta llamiptin, k'anchayqa chay llamiyman kutichispam tikrakun. Kay ruwasqaqa tusuqkunawan qawaqkunapa sunqu tinkuyninta kallpachaytam munan.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Sense Move Tusuy P'acha A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Sense Move Tusuy P'acha ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Sense Move Tusuy P'acha achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Tupukuna & P'istuy: Width 70mm x Depth 30mm x Height 150mm
Etiquetakuna: wearable technology, led lighting costume, kinetic sculpture
Ruway Tecnología: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Diseño Sasachakuy: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
T'aqwiy: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Kallpachay: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Llamk'ay Pacha: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Purichiy Puriy: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Siq'i Hayñikuna: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou