Sinem Tosunoglu nisqap K Marble Flow Ruwana P'acha diseñon

Sinem Tosunoglu nisqap K Marble Flow Ruwana P'acha diseñonqa Awana Kamay Atipanakuy T'aqapi 2026 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruAwana· 2026

K Marble Flow Ruwana P'acha

Sinem Tosunoglu rurasqa

Mañakuq: Kufoon Design Studio

Awana T'aqapi A' Design Award Fierru Premiu Atipaq

9,617

Taripasqa Premio Atipaq

#180748 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

K Marble Flow Ruwana P'acha nisqamanta

Hawa ruwayqa, ñawpa marmolización rikch'aymanta hap'isqa, ancha sinchi polietileno ruwana awasqaman churasqa. Sapanka rikch'aymi makiwan ruwasqa tinkusqakunamanta paqarin, hinaspa digital kamaywan allchasqa kachkan kawsayniyuq mana kutirimuq kayninta waqaychanapaq. Pisi llasa, mana yaku haykuq, mana wayra haykuq wakichiyqa unay kanata, samay haykunata, hinaspa kuyuriy qispiyniyta quwanchik, huk ruwana p'achata paqarichispa rurayniyuq rikch'achiyta técnico ruwaywan kuska tupachispa.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

K Marble Flow Ruwana P'acha A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. K Marble Flow Ruwana P'acha sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta K Marble Flow Ruwana P'acha yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: K Marble Flow is a performance wear project inspired by the fluid and non-repetitive nature of traditional marbling art. Each pattern is first created by hand using authentic marbling techniques and then digitally adapted to wearable forms while preserving its organic flow and unpredictable character. Applied onto a lightweight technical material, the collection moves with the body, combining artistic expression with durability, comfort, and freedom of movement. The project bridges handcrafted surface art and functional garment construction, transforming marbling into a dynamic, performance oriented textile system.
Tupukuna & P'istuy: Material: 43 gsm high density polyethylene nonwoven, recyclable. Structure: thermally bonded fiber matrix. Weight: ultra lightweight performance category. Construction: single needle straight stitch assembly with size 9 fine needle. Finish: clean raw edge. Surface: fully printable. Design strategy focused on seam control, reduced bulk, durability and mobility for active outdoor use.
Etiquetakuna: Marbling Art, Recycle, Performance Wear, Textile Surface Design, Water Resistant,Garment, Wearable Art, Digital Textile, Lightweight Material, Pattern Design
Ruway Tecnología: During development, focus was placed on the structural behavior and sewability of 43 gsm high-density polyethylene nonwoven material. Prototyping minimized surface perforation and preserved material integrity using a size 9 fine needle and single needle straight stitch. Controlled seam placement reduced bulk and maintained flexibility. The thermally bonded structure enabled clean raw edge finishes without additional seam reinforcement.
Diseño Sasachakuy: The primary challenge of the project was adapting the unpredictable and fluid nature of handcrafted marbling into a functional performance garment. Preserving the organic character of the patterns while meeting technical requirements such as material durability, sewability, and user comfort required extensive prototyping and material testing. The balance between artistic expression and production constraints was ultimately achieved through iterative experimentation and close collaboration with material specialists.
T'aqwiy: The research behind K Marble Flow focuses on exploring how traditional marbling art can be adapted to contemporary performance wear. The study examines how handcrafted marbling patterns behave when transferred into digital formats and applied to lightweight technical materials. Through prototyping and material testing, the durability, usability, and visual continuity of the designs were analyzed. The results demonstrate that marbling can function as a dynamic textile surface that preserves its organic character while meeting performance requirements.
Kallpachay: The starting point of K Marble Flow is the observation of how traditional marbling behaves on surfaces beyond paper. The fluid movement on water and the balance between control and chance inspired an exploration of how these qualities could be translated into wearable forms. The idea of transferring handcrafted marbling into digital environments emerged through experimental observations focusing on pattern scale, surface continuity, and interaction with body movement.
Llamk'ay Pacha: Produced on September 25, in Antalya ,Turkey
Exhibited at ISPO Munich in December 2024,
where it received the Best Product Award.
Purichiy Puriy: The purpose of K Marble Flow is to provide protection against sudden rain during walking or running by allowing the wearer to put it on quickly when needed. Thanks to its water-resistant and wind-resistant structure, the garment effectively protects the user from light rain while maintaining breathability. Its lightweight and durable material ensures comfort and ease of movement. Designed for practical urban use, K Marble Flow supports daily mobility by combining protection, flexibility, and functional performance.