Gaja Hanzel nisqap Three Worlds Wayaqakuna diseñon

Gaja Hanzel nisqap Three Worlds Wayaqakuna diseñonqa Churana Yapay Kamay Atipanakuy T'aqapi 2026 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruChurana Yapay· 2026

Three Worlds Wayaqakuna

Gaja Hanzel rurasqa

Churana Yapay T'aqapi A' Design Award Fierru Premiu Atipaq

9,234

Taripasqa Premio Atipaq

#178374 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Three Worlds Wayaqakuna nisqamanta

Kimsa Pachakuna Huk Sunqu wayaqa huñusqa musyanmi ñawpa willakuykuna hinaspa musuq ruwaykuna tinkusqanta. Kay wayaqakunaqa willakuq imaymana hina ruwakunmi, kimsa suyukunamanta kawsay yanapaykunata siq'ikunaman, kaykunaman hinaspa llimp'ikunaman t'ikrachispa. Yura qaramanta ruwasqa qara rantikunawan hinaspa siq'isqa pacha awakunawan ruwasqa, sapa wayaqaqa yanapakuyta sunqu ukhuwan tuparichinmi. Kay huñusqaqa wiñay pacha ruwaykunata, llaqta ruwayta hinaspa wayaqap yuyay hinaspa kuyuriy apaqnin kayninta qhawachinmi.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Three Worlds Wayaqakuna A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Three Worlds Wayaqakuna sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Three Worlds Wayaqakuna yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The Three Worlds One Heart handbag collection is based on a biographical design concept translating personal histories from three countries into functional objects. Each model reflects the distinct lifestyles of three sisters: a travel companion, a compact everyday bag, a market drawstring tote, and a vintage inspired silhouette for day and evening use. Three original prints, rooted in memory and cultural heritage, appear on exterior or lining. The series comprises four handbags in three color variations, combining narrative depth, functionality, and lasting emotional value.
Tupukuna & P'istuy: There are 4 tipes of bags in the collection. The bag sizes are: 41 x 20 x 16 cm, 26 x 20 x 5 cm, 24 x 26 x 15 cm, 35 x 17 x 12 cm.
Etiquetakuna: bag design, pattern design, cultural heritage, women's handbag, timeless design, original prints
Ruway Tecnología: The project applies a narrative driven design methodology, transforming biographical research into functional products. Textile patterns were developed combining hand-drawn motifs and digital refinement, forming a cohesive visual system inspired by cultural heritage, landscapes, and personal memories. Bags are crafted from cotton and apple waste leather alternative featuring original digital prints. Each form was refined through prototyping and structural testing, resulting in balanced proportions and functional clarity, with shapes inspired by each bag’s intended use and the region where the sisters lived.
Diseño Sasachakuy: The main challenge was translating intimate family narratives and diverse cultural contexts into a cohesive and contemporary handbag designs while maintaining functional clarity. Developing original prints that respectfully reflect three cultural environments required extensive research into heritage, symbols and color language. Additional challenges included technical limitations of materials, local production, and pattern scalability, which demanded iterative experimentation to ensure functional, durable, and ethically produced designs.
T'aqwiy: This project is based on qualitative, practice led design research. The objective was to explore how family history, regional cultural heritage, and everyday lifestyles can inform contemporary handbag forms and textile patterns. The research translated personal and regional narratives using visual research, cultural analysis, original print development, material testing and prototyping. Data came from archives, family narratives, field visits, and photography. Results produced cohesive patterns and functional forms, translating memory, culture, and daily life into versatile handbags.
Kallpachay: The handbags originate from an intimate family narrative, inspired by the life stories of three sisters, including my grandmother, whose lives unfolded across three countries: Slovenia, Croatia and North Macedonia. Their stories initiated an indepth research process into personal memories, cultural heritage and architectural forms, which shaped the overall designs and original prints, translating memories and cultural identity into a cohesive visual language.
Llamk'ay Pacha: The project began in June 2025 in Gorizia, Italy and ended in November 2025 in Sezana, Slovenia. It was exhibited at the local cultural center in Slovenia.
Purichiy Puriy: The collection offers versatile carrying options for everyday use. Two models feature adjustable and removable straps, allowing shoulder, crossbody, or hand carry. The two larger bags provide ample space for personal items. Textile patterns appear on the exterior for some bags and as lining for others, creating a visual surprise. Each design balances functionality, comfort, and aesthetic appeal, adapting effortlessly to different occasions and styling needs.
Siq'i Hayñikuna: Image #No 1, 4, 5 : Photographer Dominique Pozzo, Three Worlds, 2025
Image #No 2, 3 : Photographer Gaja Hanzel, Three Worlds, 2025