Xinyu Zheng nisqap Floral Album Moda Huñusqa diseñon

Xinyu Zheng nisqap Floral Album Moda Huñusqa diseñonqa Churana Kamay Atipanakuy T'aqapi 2026 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruChurana· 2026

Floral Album Moda Huñusqa

Xinyu Zheng rurasqa

Mañakuq: Tulip 'n room

Churana T'aqapi A' Design Award Fierru Premiu Atipaq

11,611

Taripasqa Premio Atipaq

#177958 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Floral Album Moda Huñusqa nisqamanta

Floral Album nisqaqa huk moda huñusqam, 1980 watakunapi ayllu fotokunamanta yuyaychasqa. Kay huñusqaqa mana usasqa puchuq awakunamanta ruwasqa, achka makiwan ruway yachaykunawan huñusqa. Makiwan siraykuna, crochet nisqa awana, walqakunawan achalana, awana chunpikuna hina, hinaspa chakatasqa sirana nisqakunapas velvet awaman hinaspa patachasqa chuya awakunaman churasqa kanku. Crochetwan ruwasqa qinchakunapi hinaspa awasqa pachakunapi lentejuela nisqakuna kanku, churakuqpa kuyusqanwan kancharispa. Sapa pacham sapallanmanta ruwasqa, chaymi mana huk pachapas kutipayasqa kanchu. Llapan pachakunam sapa runapaq allin. Kay huñusqaqa sumaq makiwan ruwayta qunqasqa materialkunata musuqmanta hapiywan tinkichin.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Floral Album Moda Huñusqa A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Floral Album Moda Huñusqa sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Floral Album Moda Huñusqa yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Tupukuna & P'istuy: All the pieces are free size.
Etiquetakuna: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Ruway Tecnología: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Diseño Sasachakuy: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
T'aqwiy: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Kallpachay: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Llamk'ay Pacha: This project was initiated in April 2023 and completed in September 2024 in New York.
Purichiy Puriy: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patentekuna: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Huñu Runakuna: /
Siq'i Hayñikuna: Stefy Lin, 2024.