Hangzhou Shihe Design nisqap Tongli Villa Wasi Ukhu Ruwaykama Diseño diseñon

Hangzhou Shihe Design nisqap Tongli Villa Wasi Ukhu Ruwaykama Diseño diseñonqa Ukupi Kamay Atipanakuy T'aqapi 2026 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiUkupi· 2026

Tongli Villa Wasi Ukhu Ruwaykama Diseño

Hangzhou Shihe Design rurasqa

Mañakuq: Hangzhou Shihe Design

Ukupi T'aqapi A' Design Award Qullqi Premiu Atipaq

22,343

Taripasqa Premio Atipaq

#174289 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Tongli Villa Wasi Ukhu Ruwaykama Diseño nisqamanta

Tongli Villa nisqaqa huk kinsa patayuq wasipa ukhunpaq diseñom, chay wasiqa yaqa 450 metro cuadrado hap'iyniyuqmi. Wasi ukhuqa kicharisqa, mana rakina perqakunayuq, mana hark'akuyniyuqmi puriykachan, hinaspapas huk hanaq pata samana kuchuyuqmi mana techoyuq saqesqa. Pachamamamanta hamuq imakunam wasi ukhuta ruwan: mana llamk'apusqa teca k'ullu, yanachasqa mana ismuq k'ullu, hinallataq makiwan llut'asqa t'uru perqakuna. Achkha k'achanchaykunaqa pisillam kachkan, chayraykum llamiykachana muyupayaywan p'unchaw k'anchaywan sapa qhata kanchata ruwanku. Kay diseñoqa wasi dueñopa Miao ayllu ñawpa kawsayninta rikuchin, hinaspapas huk thak, allillamanta sapa p'unchaw kawsayta yanapan.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Tongli Villa Wasi Ukhu Ruwaykama Diseño A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Tongli Villa Wasi Ukhu Ruwaykama Diseño ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Tongli Villa Wasi Ukhu Ruwaykama Diseño achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This residential design captures the essence of emotional connection, cultural resonance, and sensory comfort. Blending raw materials such as teak, charred wood, artistic mud walls, and hand collected objects, the space abandons decorative excess to return to elemental simplicity. The spatial layout is fluid, resisting traditional segmentation. Instead, it becomes a canvas for daily rituals, emotional anchoring, and inner peace: an aesthetic of stillness and lived poetry.
Tupukuna & P'istuy: The house includes three levels with a total floor area of approximately 450 sqm. Key spatial elements include a horizontally open plan ground floor, an unceiled attic lounge, and a free flow layout without partition walls. Materials are predominantly natural and untreated, aligning with the spatial philosophy of sensory grounding.
Etiquetakuna: Emotional Dwelling, Poetic Minimalism, Miao Culture, Nature Inspired Interior, Raw Materials, Timeless Design, Slow Living, Cultural Resonance, Organic Textures, Meditative Space
Ruway Tecnología: The project adopts a material first approach rooted in authenticity. Teak wood was used untreated to preserve its warmth and grain, while blackened anti corrosion timber adds weight and durability. Hand applied mud walls and artistic paint deliver texture and tone without ornament. The approach emphasized manual craftsmanship and intuitive layering over mechanical precision.
Diseño Sasachakuy: The primary challenge was resisting conventional luxury symbols and instead crafting a space of deep emotional value. Balancing the owner's cultural identity with modern comfort required nuanced material choices, emotional mapping, and conceptual restraint. The absence of visual drama demanded heightened attention to detail, proportion, and sensory atmosphere.
T'aqwiy: This is an applied cultural emotional design study exploring how spatial language can translate heritage and emotional needs into form. The methodology involved user immersion, ethnographic interviews, and contextual material selection. The homeowner's daily habits, values, and sensory preferences were key data points. The result is a space that not only houses the body but also resonates with memory, ritual, and inner calm enhancing the broader conversation on design’s emotional efficacy.
Kallpachay: The homeowner's Miao heritage and natural lifestyle philosophy inspired a design that values emotional depth over surface form. Influenced by vernacular dwellings and poetic Eastern aesthetics, the concept centers on the idea of a home as a place of stillness, reflection, and healing. Rain falling on tiles, shifting light across earth toned walls, and silence within wooden textures form the emotional blueprint for the space.
Llamk'ay Pacha: The project started in January 2024 in Suzhou, China and finished in January 2025.
Purichiy Puriy: The space invites slow, unstructured interaction. There are no dominant visual cues or rigid furniture placements. Instead, the flow is organic light guides the user, and silence defines transitions. It's not about usage, but co existence: the homeowner doesn't use the space, she dwells within it, rhythmically, intuitively.
Huñu Runakuna: Designer: Chen Kezhi
Designer: Wang Huaqiang
Siq'i Hayñikuna: Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.