Zhuoyun Xiao nisqap Rhythm Escultura Instalación Serie diseñon

Zhuoyun Xiao nisqap Rhythm Escultura Instalación Serie diseñonqa Sumak Ruray Kamay Atipanakuy T'aqapi 2025 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruSumak Ruray· 2025

Rhythm Escultura Instalación Serie

Zhuoyun Xiao rurasqa

Mañakuq: Zhuoyun Xiao

Sumak Ruray T'aqapi A' Design Award Fierru Premiu Atipaq

18,689

Taripasqa Premio Atipaq

#170274 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Rhythm Escultura Instalación Serie nisqamanta

Rhythm nisqaqa, tususpa kuyuykunata thak sayaq rikch'ayman tikrachiq escultura instalación seriemi kan. Kay seriequa pichqa cherry k'ullu kaqkunamanta ruwasqa kashan, patanku 150, 200, 250, 300 hinallataq 350 milímetropi, tukuy hunt'asqataq 600 chunka, 800 chunka, 300 milímetropiwan tupun. Yana, yuraq, hinallataq puka llimp'ikuna tikray puntukunata rikuchin. K'ullutaqa allin ñawinchasqawan k'utun, makiwan lluch'urichin, hinallataq mana wañuchiq q'illayuqwan allichan. Patankuna hukninmanta hukman kasqan, chantapis churasqa karullanku, ñawpaqman rikchaq rhythmta ruwan. Qhawaqkunaqa llamk'aymanta muyurispa purinku, kuyuykunaq qatipayninta qatinankupaq.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Rhythm Escultura Instalación Serie A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Rhythm Escultura Instalación Serie sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Rhythm Escultura Instalación Serie yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: "Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Tupukuna & P'istuy: Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Etiquetakuna: Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Ruway Tecnología: Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Diseño Sasachakuy: The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
T'aqwiy: The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Kallpachay: Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Llamk'ay Pacha: The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Purichiy Puriy: Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Siq'i Hayñikuna: Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.