Peng Guo, Ka Ping Kwok and Bin Li nisqap Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño diseñon

Peng Guo, Ka Ping Kwok and Bin Li nisqap Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño diseñonqa Rikuchiy Ruray Kamay Atipanakuy T'aqapi 2025 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.

QuriRikuchiy Ruray· 2025

Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño

Peng Guo, Ka Ping Kwok and Bin Li rurasqa

Mañakuq: Beijing Yamei Times Culture Media Co. Ltd

Rikuchiy Ruray T'aqapi A' Design Award Quri Premiu Atipaq

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#162058 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño nisqamanta

Hua Chenyu Mars Concert nisqaqa hawa pachapi ruwasqa concierto escenario diseño, hatun hawa kanchapaq kamarisqa. Kay ruway tawa suyupim rakisqa kachkan: huk ñawpaq escenario 106 metros anchoyuq, 28.5 metros sayayniyuq, pichqa patapi qhaway ruwana pachayuq; huk muyu wasi escenario 19 metros muyuyniyuq; huk mastarisqa escenario 30 metros suniyuq, qhawaqkunapa tiyanan chawpinta chimpaykuq; hinaspa huk muyu ruwasqa 100 metros muyuyniyuq, tukuy churasqata muyuriqnin. Rirpu hina LED pantallakunaqa kuyuq patakunawan, makinaria rurukunawanpas huñusqa kachkan. Rirpuq hina qhawachikuq, chuya rikuchikuq imakunaqa escenariota inti lluqsimuy pachawanraq tinkichin.

Riqsichiy

A' Design Award Quri Premiu nisqamanta

Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Hua Chenyu Mars Concert Concierto Escenario Ruwaykuna Diseño munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
Tupukuna & P'istuy: In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
Etiquetakuna: Stage, Hua Chenyu, Concert, Shandong
Ruway Tecnología: The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
Diseño Sasachakuy: The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
T'aqwiy: In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
Kallpachay: This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
Llamk'ay Pacha: It is published on 02, April, 2024 and in Shandong, China.
Purichiy Puriy: In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
Huñu Runakuna: Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li