Midori Yamazaki nisqap Waiting for the Wave in Metaverse Digital Arte Llank'aykuna diseñon

Midori Yamazaki nisqap Waiting for the Wave in Metaverse Digital Arte Llank'aykuna diseñonqa Iñikik Sumaq Ruray Kamay Atipanakuy T'aqapi 2024 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiIñikik Sumaq Ruray· 2024

Waiting for the Wave in Metaverse Digital Arte Llank'aykuna

Midori Yamazaki rurasqa

Mañakuq: Out of Blue

Iñikik Sumaq Ruray T'aqapi A' Design Award Burunsi Premiu Atipaq

59,618

Taripasqa Premio Atipaq

#154231 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Waiting for the Wave in Metaverse Digital Arte Llank'aykuna nisqamanta

Kay llank'ayqa rikuchinanpaq rurasqam olas unuypa allin forman huk ratullapaq surfingpaq, chaymi sumaqta rikukun hinaspa rikuqkunaman kusikuyniyuq chaqrukuyta qun kikinmanta. Rurasqa karqan huk kamay ruraykuna ukhupi digital nisqawan físico nisqawan, chiqaq kayta virtual realidadwan chaqruspa EPFLwan yanapanakuspa. Munan huk experienciata paqarichita pachamamapi hinaspa yapamanta takyachin runakunapa yuyay atiyninkunapa llamk'aq kallpanta, chaykunam sumaq experienciakunata akllakunku kallpasqamanta aswan allin hamuq tiempota ruwanapaq. Runapa kausayninpa hamutaynin wiñaypaqmi mana t'ikraqchu kanqa, hamuq tiempopi chiqaq kay ch'aqwasqa kaptinpas.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Waiting for the Wave in Metaverse Digital Arte Llank'aykuna A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Waiting for the Wave in Metaverse Digital Arte Llank'aykuna sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Waiting for the Wave in Metaverse Digital Arte Llank'aykuna mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Tupukuna & P'istuy: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Etiquetakuna: wave, nature, science, visualization, digitalart, digitalfabrication
Ruway Tecnología: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Diseño Sasachakuy: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
T'aqwiy: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Kallpachay: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Llamk'ay Pacha: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Purichiy Puriy: These are videos and static images as digital artworks.
Siq'i Hayñikuna: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.