Rosalie Hsin-Ju Lin nisqap Random Puff 4D Away P'acha diseñon

Rosalie Hsin-Ju Lin nisqap Random Puff 4D Away P'acha diseñonqa Awana Kamay Atipanakuy T'aqapi 2023 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruAwana· 2023

Random Puff 4D Away P'acha

Rosalie Hsin-Ju Lin rurasqa

Mañakuq: MIT Media Lab

Awana T'aqapi A' Design Award Fierru Premiu Atipaq

41,675

Taripasqa Premio Atipaq

#145286 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Random Puff 4D Away P'acha nisqamanta

RandomPuffqa musuq q'uñichaq p'acham, 4D away punkikunawan p'achata q'uñichin. Punkikunaqa qallariypiqa llañu rurasqa kanku, ruphaywan tupaqtintaq qata hina punkimunku. Kallpachasqa punkikunaqa wayrata hap'inku hawa pachawan churaqpa qaranpa chawpinpi, chaywanmi kuraqta q'uñichiq. Kay ruwayqa 4D away materialkunap taripakuynin bibliotekata paqarichin 'kallpayuq millmakuna' 'mana kuyuq awaskakunawan' chawpinpi. Ruwaqkuna wiñachiqkunapas yupay-kamay yanapakuykunata atichinku tukuy usaqkunawan kuska llamk'anapaq, musuq away llamp'u imakunapis ruwaykunata paqarichinapaq, chaykunaqa hatun-yachay p'achakuna, sapan-runapaq takyapaqpas kanku.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Random Puff 4D Away P'acha A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Random Puff 4D Away P'acha sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Random Puff 4D Away P'acha yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Random Puff is a garment application leveraging the puffy transformation that traps air within the dome pocket to keep the body warm. The double curvature geometry becomes easily fabricated, and personalizable styling is available through the computational design process, which opens up a new design/manufacturing space for a puffy garment.
Tupukuna & P'istuy: 500mm x 30mm x 700mm. However, since it's a garment, it can be fold into the size of 300mm x 20mm x 200mm.
Etiquetakuna: 4D embroidery
Ruway Tecnología: Heat-shrink thread. Neoprene. Machine embroidery. Processing visualizer.
Diseño Sasachakuy: First, the force balance between active thread and static fabric is a fundamental challenge. There is too much fabric out there with labeled information that does not necessarily lead to our purpose. Second, tension issues happen when new threads or fabric are introduced to the machine. It takes a while to calibrate, and sometimes break the machine if the thread is too thick/thin, or the fabric is too thick/slippery/crispy. Third, to achieve the maximized bi-layer bending, we want to vary the force on both sides so that the inner side does not constraint the outer side.
T'aqwiy: Research background:
This research demonstrates how machine embroidery with heat-shrinking fibers enables existing fabrics to be augmented with morphing fibers.

Methods/Tools:
Similar to sewing, embroidery is a technique of interlacing upper and bottom threads with the substrate in between, but digitally. For the hardware, a desktop, hobbyist embroidery machine can easily execute wanted samples. For the software, I mainly explored PEmbroidery and Inkstitch for different purposes. PEmbroider is an open-source library housed in Processing that offers a procedural coding environment to generate detailed embroidered files at point and line levels. Inkstitch is also an open-source plug-in embedded in Inkscape that provides a graphical user interface, which is more friendly for primary users.

Results/Insight:
I started off the material characterization by testing different substrates with the same embroidery parameters. Out of 10+ fabrics, fabrics that are lightweight with high springness can hold the morphed structure better. A series of embroidery parameters were also tested systematically with stroke width, density, peak-to-peak distance, stitch spacing, and threading material. The fiber actuator can be tuned from crease(low res) to bend(high res) in a linear pattern. The fiber can be arranged in curves, origami creases, or arbitrary shapes to form more complex pop-up geometry.
Kallpachay: Working at a NIKE shoe industry, I realized the challenge of transformation between 3D to 2D or vice versa. There's still no clear solution for the tedious, laborious, wasteful process from prototyping to production.

Working as a R&D at a carbon fiber company, I got to witness the power of machine embroidery, where it can digitally place fibers. This way, it can reinforce the artifact in any direction, replace the lamination thus reducing the material waste, and digitalize the process from start to end.
Llamk'ay Pacha: The project started in September 2021 and finished in December 2021 in Cambridge, MA, United States.
Purichiy Puriy: First, a closed-curve set of circles, squares, or other arbitrary shapes is generated within the area of a 2D clothing. Second, the design file will be translated to an embroidery file via Processing, a visual output, and procedural coding environment. Third, upload the file to a desktop hobbyist embroidery machine and start embroidery. Lastly, the garment comes out flat from the machine and users can customize where to activate the puffs by heating the embroidery pattern with a steamer or iron.
Huñu Runakuna: Rosalie Hsin-Ju Lin
Skylar Tibbits
Jack Forman
Hiroshi Ishii
Siq'i Hayñikuna: All IP, copyright, images, video credits belong to Rosalie Hsin-Ju Lin.