Yuting Zhang nisqap Device of Perception Hallariy Wasi diseñon

Yuting Zhang nisqap Device of Perception Hallariy Wasi diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2022 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiWasichiy· 2022

Device of Perception Hallariy Wasi

Yuting Zhang rurasqa

Mañakuq: Yuting Zhang

Wasichiy T'aqapi A' Design Award Burunsi Premiu Atipaq

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Taripasqa Premio Atipaq

#138650 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Device of Perception Hallariy Wasi nisqamanta

Hallariy Wasi nisqaqa huk hallariy wasim Mexico Llaqta Hatunpi kashan, ñawpa pacha uchuy wasikunapa hinaspa musuq hatun qhatuy wasikunapa chawpinpi tarikun. Kay wasiqa 4500 metro cuadrado hinata hapin, chaypin kashan huk yachachiy wasi, huch'uy teatro, rikuchiy p'ampa, llamk'ana wasikuna, waqaychana wasi hinaspa mikhuna wasipas. Uraman urqusqa yaykuna p'ampaqa wasita achka purik ñanmanta rakin, ukhu tiyanapa mast'ariyninman hina llamk'an. Sapa taqe uchuy pirwapa suqta chunka kinsayuq (quarter turn) muyurisqa kashan, chayrayku huk k'iwi kawsayninchik rikuchina kancha ruwakun, llaqtapa qhawariyninwan. Sinchi rumi (concreto armado) hinaspa mama-p'unchay allpachasqa acero apaykachasqan.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Device of Perception Hallariy Wasi A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Device of Perception Hallariy Wasi sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Device of Perception Hallariy Wasi mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Tupukuna & P'istuy: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Etiquetakuna: cultural center, gallery, theater, exhibition
Ruway Tecnología: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Diseño Sasachakuy: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
T'aqwiy: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Kallpachay: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Llamk'ay Pacha: 2017 in Mexico City
Purichiy Puriy: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Huñu Runakuna: Yuting Zhang
Siq'i Hayñikuna: Yuting Zhang