Tobias Kappeler nisqap Dinkum Dinkum diseñon

Tobias Kappeler nisqap Dinkum Dinkum diseñonqa Aparina Kamay Atipanakuy T'aqapi 2022 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruAparina· 2022

Dinkum Dinkum

Tobias Kappeler rurasqa

Mañakuq: Tobias Kappeler Design

Aparina T'aqapi A' Design Award Fierru Premiu Atipaq

22,117

Taripasqa Premio Atipaq

#127093 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Dinkum Dinkum nisqamanta

Dinkum nisqaqa huk celular aplicaciónmi, karu-karumanta rimayta chayllapi kaqta uyarichiy nisqawan ruwan. Dinkum-qa karu rimaykunata kikin munaynikiman hina tikrachisqa uyariy pachakunapi churan. Ruraqkunaqa kimsa wasi hatuchaymanta hukta akllayta atinku, "sumaq kuska", "mana llakikuq" hinaspa "atiykachaq" nisqawan sutichasqa. Chantapis ruraqkunaqa "ambisónico" nisqa qhipa uyarikuykunata akllayta atinku, tukuy muyuriqmanta uyarichiq forma, rimaynin ima kasqanman hinaspa pipas rimashanku chayman hina. Waq rimaqkunaman karunchaq kaqtaqa rimashaspapas tikraparinmanmi. Kaywan munasqanku ñataq karu kaspapas hukllapi kasqanku yuyayta mirachiyta, hinaspa karu rimaykunataqa aswan sumaqta, mana llasaq hinata rurayta.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Dinkum Dinkum A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Dinkum Dinkum sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Dinkum Dinkum yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Dinkum is a spatial audio communication tool that allows users to immerse themselves in customisable audio environments. Users can select from three room sizes (intimate, casual, adventurous) and different ambisonic (full-sphere surround sound format) background sounds that match the type of conversation and people they are speaking to. People can change their distance to other participants throughout the conversation, which adds an extra layer of interaction to remote conversations. Dinkum can increase participants sense of presence and intimacy in the conversation and increase conversation fluency.
Tupukuna & P'istuy: Dinkum was developed using the 3D Tune-In Toolkit real-time binaural spatialisation tool. This was utilised as a VST plugin within Ableton Live. The 3D Tune in Toolkit simulates the reverberation of different room sizes, the distance to the listener and the direction to the sound source. For user testing, I’ve developed a signal processing path that allows me to send an audio recording from a binaural microphone through Zoom.
Etiquetakuna: Communication, Spatial Audio, Interaction design, Immersive experiences, Audio & Sound, Mobile application, Teleconferencing, Conversations,
Ruway Tecnología: The project was developed through iterative prototyping, intensive user testing and a strong collaboration between academia and industry. I used different plugins for the spatialisation of mono audio files in a DAW (Digital Audio Workstation) and tested the experiences with different people. Furthermore, I built a binaural microphone for in-depth user testing with multiple people. I established a signal-processing path that allowed me to test with various users while being remote.
Diseño Sasachakuy: The challenge was to create an environment that allowed me to test with the necessary fidelity and change the audio in real-time. An additional challenge was the visual representation of a 3D space with characters on a small smartphone screen which is easy to understand, interact with and is visually pleasing and unique. I overcame this through prototyping the interactions on the phone while affecting the audio and visual interface in real-time through OSC protocol and user feedback.
T'aqwiy: The project started with an academic literature review and interviews on real-time spatialisation technologies. After intensive ideation on different applications, I moved into early experimentation and prototyping to get a better feel and understanding of the technology and its value. I used an iterative and human-centred design approach focusing on the experience. Experiments were analyzed with questionnaires with a Likert scale focusing on the presence and intimacy.
Kallpachay: Throughout the pandemic, I realised the difficulties of remote collaboration and the lack of attention to the audio side of the experience. We are flooded with visual stimuli but a lot of these experiences lack the emotional aspect of the experience. User research and secondary research into spatial audio technologies strongly informed the development. As a music producer and DJ, I’m fascinated by the emotional characteristics of audio.
Llamk'ay Pacha: The project started in January 2021 and was developed by myself for my MA/MSc Innovation Design Engineering until June 2021. The project will be exhibited at the yearly graduation show of the Royal College of Art and Imperial College London in June 2021.
Purichiy Puriy: To start a conversation, select the participants you want to speak to, select the room size which matches your conversations and participants, (Intimate, Casual, Adventurous) select the ambisonic background sounds and then start the call. Users can leave the room and create a new room during the conversations with individual participants. For recurring conversations, users can save groups and settings. In case a conversation drastically changes the topic.
Huñu Runakuna: Tobias Kappeler