GGO Biomorphic لومړنی دنده: د لابي فرنیچر د Yoko Komatsu and Hajime Tokura لخوا د خورا باوقاره 2026 د سرو زرو A' Design Award جایزه په د فرنیچر ډیزاین سیالۍ کټګوري کې یو ډیر ارزښتمن ګټونکی دی.
سره زرفرنیچر· 2026
GGO Biomorphic لومړنی دنده: د لابي فرنیچر
د Yoko Komatsu and Hajime Tokura لخوا
پیرودونکی: Grand Green Osaka JV Group
په فرنیچر کټګوري کې د د سرو زرو A' Design Award جایزه ګټونکی
تایید شوی د جایزې ګټونکی
د #180101 لپاره د جایزې حالت تایید کړئډیزاین
د GGO Biomorphic لومړنی دنده: د لابي فرنیچر په اړه
په ګرانډ ګرین اوساکا کې موقعیت لرونکې، دا ۱۶ متره بایومورفیک څوکۍ د جاپاني اوک لرګي څخه جوړه شوې ده. پرمختللې ډیجیټل جوړونه د ۶۰۰۰ څخه زیاتو انفرادي برخو د ۲۹ عضوي واحدونو کې د راټولولو لپاره کارول کیږي. ټول فلزي تړونکي د پټ پیوند سیسټم له لارې په بریالیتوب سره پټ شوي دي. په دې مجسمهیي عامه فرنیچر کې، دودیز لاسي کاریګري د پارامیټریک محاسبوي ډیزاین سره یوځای شوې ده. دا داسې ډیزاین شوې ده چې د لابي په ځای کې د یوې آرامۍ څوکۍ او د بوټو د لوښي په توګه دواړه دندې ترسره کړي.
پیژندنه
د د سرو زرو A' Design Award جایزه په اړه
GGO Biomorphic لومړنی دنده: د لابي فرنیچر د سرو زرو A' Design Award جایزې ګټونکی دی، یوه ډېره ویاړلې پېژندنه چې لومړي درجې، ځانګړو او غوره ډیزاینونو ته ورکول کېږي. د سرو زرو ګټونکي ډېر نوښتګر، لید لرونکي او ځلانده جوړښتونه دي چې د خپلو ډیزاینرانو نبوغ، حکمت او مهارت منعکس کوي. له GGO Biomorphic لومړنی دنده: د لابي فرنیچر څخه تمه کېږي چې یو ډېر ستایل شوی، رجحان جوړوونکی او یادګاري اختراع وي چې بې ساري ارزښت وړاندې کوي. دا د سرو زرو A' Design Award جایزې ګټونکی ډیزاین یو حیرانوونکی، محترم پروژه ده چې ډېره ګټه رسوي او د هنر، ساینس، ډیزاین او ټیکنالوژۍ حدود مخکې وړي. GGO Biomorphic لومړنی دنده: د لابي فرنیچر د هیلې شدید احساسات پیدا کوي، لېوالتیا راپاروي، خلاقیت هڅوي او موږ ځانته ملګري کوي.
د ډیزاین تر شا
خبري کټ
اعتبارونه، د ټیم غړي او تخنیکي توضیحات چې د ډیزاینر لخوا وړاندې شوي.
- ځانګړي ځانګړتیاوې
- This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
- ابعاد او بسته بندي
- Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
- ټاګونه
- Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
- د تولید ټیکنالوژي
- The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
- د ډیزاین ننګونه
- The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
- څیړنه
- Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
- الهام
- Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
- د پروژې موده
- The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
- د عملیاتو بهیر
- Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
- پیټنټونه
- Copyrights belong to KOKUYO Co., Ltd., 2025.
- د ټیم غړي
- Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao - د عکس اعتبار
- Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
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