Dizayini ya Surely Malo Ojambula ndi Michael Lam ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2020 Mphoto ya Golide ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

GolideMkati· 2020

Surely Malo Ojambula

ndi Michael Lam

Kasitomala: Surely

Wopambana pa Mphoto ya Golide ya A' Design Award mu Gawo la Mkati

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Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #99584

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Surely Malo Ojambula

Uwu ndi luso, wamba komanso wogulitsa onse amaphatikizika pamodzi m'malo amodzi. Popeza mamangidwe ake omwe ndi fakitale yogwiritsa ntchito chovala chamayiko. Nyumba yonse imasungika kukhoma ngati khoma, ngati mawonekedwe a danga, kupanga zosiyana mosiyana ndi kunja, zimapangitsanso mawonekedwe apamtunda. Kudzikongoletsa kopitilira muyeso, kunagwiritsa ntchito zokongoletsera zofewa zowonetsera zomwe zimakupatsani mpumulo. Kusiyanitsa pakati pa chilengedwe ndi gawo loyambirira ndikosavuta kotukuka kwamtsogolo mtsogolo.

Chidziwitso

Za Mphoto ya Golide ya A' Design Award

Surely Malo Ojambula ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. Surely Malo Ojambula akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Surely Malo Ojambula amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Designers are take time as the starting point of thinking. In the chaotic and decadent old factory, they skillfully use the sense of dislocation in time to create the gap between the inside and the outside, between the object and the space, to show the spatial context of living against the time, appearing along with the time, so as to provide a deeper and meaningful place experience for the viewers.
Miyezo ndi Kuphimba: Design area：10763 sq.ft
Zizindikiro: Interior, Space, Art, Retail, Photography
Teknoloji Yopangira: Main Material：Special Paint, Terrazzo, Original Solid Wood, Ultra-white Glass
Vuto la Dizayini: In the process, the designer and the owner experience the overthrow and replay of the design scheme, the reconstruction and disassembly of the wall, and the continuous replacement of the soft decoration display, which is not so much full of various imperfect factors, but rather a design co creation process in which both parties continuously influence each other.
Kafukufuku: Shortly after the project was put into operation, without marketing planning, it quickly became a hot topic in Hangzhou, China, and one of the most popular art punch points in the country. It is a space for photography and art, a new benchmark of the industry and a new fashion stronghold in the city.
Chilimbikitso: The whole building retains the mottled and contiguous texture of the wall, transforms into the uniform skin texture of the indoor space, and falls behind the outdoor environment, creating a sense of surprise for the viewer to invert the time, creating a unique space experience, secondly, abandoning too much hard decoration, releasing more relaxed space for high-quality soft display. And display, create the contrast with the base of the original space.
Nthawi ya Polojekiti: The project started in Hangzhou, China in March 2018 and was completed in Hangzhou, China in 2019.
Mdondomeko ya Ntchito: According to time, weather and unpredictable natural light, the designer enters the room through the opening to form rich shadows and lines, so that the space can get rid of boredom and become active. After moving to the interior space of the main building, the walls are cleaned, showing a mottled and rough texture again, giving off a simple atmosphere, thick and stable. The exquisite art installation is in a corner, embracing the whole space in an introverted way.
Mwini Zithunzi: All pictures:Da qi Zhang / Michael Lam (Designer)