Dizayini ya Soo No. 2 Mpando ndi Sangin Park ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Fenicha.
SilivaFenicha· 2026
Soo No. 2 Mpando
ndi Sangin Park
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Fenicha
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #179701Kapangidwe
Za Soo No. 2 Mpando
Soo No. 2 ndi mpando wamatabwa wopangidwa kuti anthu azikhalapo tsiku ndi tsiku. M'mipando yambiri, miyendo yakumbuyo imapitirira kukwera kuti ichirikize chotsamira msana. Mu Soo No. 2, miyendo yakumbuyo ndi zochirikiza chotsamira msana zalekanitsidwa kukhala zigawo zodziyimira pazokha. Kulekanitsidwa kumeneku kumalimbitsa kakhalidwe ka mpandowu ndipo kumapanga mawonekedwe olingana bwino. Miyendo yake ndi yozungulira ngati mitengo ndipo pokhalapo pake paluкидwa ndi chingwe cha ku Denmark (Danish cord). Malumikizidwe onse a mpandowu amagwiritsa ntchito njira ya mortise ndi tenon, ndipo malumikizidwe opyoza amapanga zokongoletsa zazing'ono za mawonekedwe a dayamondi m'mbali mwa fulemu. Zotsamira manja ndi zochirikiza chotsamira msana zakhomedwa ndi zikhomo zamkuwa zosaonekera kwambiri.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
Soo No. 2 Mpando ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Soo No. 2 Mpando akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Soo No. 2 Mpando ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- The most distinctive feature of this chair is the design of its rear legs. While conventional chairs extend the rear legs upward to support the backrest as two vertical columns, this approach was reconsidered in terms of structural stability. By separating the rear legs from the backrest support as independent elements, the design achieves both enhanced structural integrity and a clear sense of visual balance.
- Miyezo ndi Kuphimba
- Width 580mm x Depth 640mm x Height 770mm
- Zizindikiro
- chair, chair design, woodworking
- Teknoloji Yopangira
- In realizing this chair, certain elements were intentionally kept traditional, including the cylindrical legs and a seat woven with Danish cord. Special attention was required where the squared frame members meet the round legs. All Structural joints are crafted using mortise and tenon joinery, with through mortise and tenon joints forming subtle diamond-shaped details along the frame sides. The armrests and back rest supports are fixed with discreet brass pins, preserving the clarity and simplicity of the overall shape.
- Vuto la Dizayini
- Design is shaped by the social and cultural context in which it is produced. Working within the Korean cultural context, where floor-based living has historically shaped furniture traditions, forms such as chests and low tables developed more clearly than chairs. This absence can create uncertainty for contemporary woodworkers, who often reference traditional architecture when designing chairs. This project began by questioning whether traditional forms were created primarily for aesthetic expression or as practical responses to life and the human body. Rather than replicating inherited forms, the focus shifted toward designing a chair that responds to bodily experience and everyday use.
- Kafukufuku
- Type of Research :
Practice-based design research.
Research Objective :
To explore how visual stability and comfort interact in chair design.
Methodology :
Full-scale making and iterative adjustment of structure and angles.
Data Collection and Research Tools Used :
Physical prototypes, sitting tests, and dimensional comparison.
Participants or Experiments :
Separating rear legs from backrest support to resolve structural conflict.
Results :
Greater formal freedom and improved balance.
Insights :
Because rear legs and backrest supports perform different roles and absorb forces differently when seated, separating them—beyond concerns of material efficiency—allows chair design to become more flexible and expressive.
Impacts :
The study contributes to furniture design by demonstrating how structural separation can expand formal possibilities while improving everyday seating comfort. - Chilimbikitso
- The chair was inspired by 12 months of building 12 different chairs, during which the relationship between the rear legs and the backrest support became a recurring concern. In conventional designs, rear leg placement that improves stability often compromises posture, while configurations that support proper seating increase the risk of tipping, with angled legs further distorting the overall form. These tensions led to the decision to separate the two functions into distinct structural elements
- Nthawi ya Polojekiti
- This chair is the final outcome of a personal project involving the creation of 12 different chairs over a 12 month period. The making of this chair itself, including the final wax finish, took approximately twenty days. However, the process of determining the appropriate shapes and compositions for each part took place almost a year. The chair was crafted in December 2025 in Go-yang City, on the outskirts of Seoul, South Korea.
- Mdondomeko ya Ntchito
- A chair is the piece of furniture that comes into closest contact with the human body. Beyond visual appeal, it must satisfy the highly subjective requirement of comfort. As the position and proportion of each element strongly shape the user’s experience, several dimensions were referenced from a classic chair by Hans J. Wegner, known for its balanced and familiar comfort. Interestingly, adopting only selected measurements leads to a distinctly new experience, revealing the unique and subtle nature of how a chair interacts with the human body.
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
