Dizayini ya Seylan Seti ya Mipando ya Sofa ndi Nastaran Khanzade ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Fenicha.
SilivaFenicha· 2026
Seylan Seti ya Mipando ya Sofa
Kasitomala: Rendi
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Fenicha
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #174865Kapangidwe
Za Seylan Seti ya Mipando ya Sofa
Seylan ndi seti ya mipando ya sofa yopangidwa kuti igwiritsidwe ntchito m'malo okhala amakono. Mawonekedwe ake analimbikitsidwa ndi mizere yopindika yoyenda bwino ya zolemba za Persian Nastaliq. Mizere yopitilira komanso zopindika zofewa zalowa m'malo mwa ngodya zakuthwa, motero seti ya sofa imawoneka ngati chiboliboli mbali iliyonse. Chimango chake chapangidwa ndi matabwa olimba, opangidwa mawonekedwe pogwiritsa ntchito makina a CNC kenako n'kusemedwa, kupukutidwa ndi kumalizidwa ndi manja. Mpando wokhalapo wapangidwa ndi thovu lolimba kwambiri losanjikizana lokutidwa ndi nsalu, ndipo zopindika zake zimathandiza munthu kukhala momasuka. Setiyi ili ndi mpando wa munthu mmodzi ndi mpando wa anthu atatu. Cholinga chake ndi kubweretsa luso lachikhalidwe m'nyumba zamakono.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
Seylan Seti ya Mipando ya Sofa ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Seylan Seti ya Mipando ya Sofa akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Seylan Seti ya Mipando ya Sofa ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
- Miyezo ndi Kuphimba
- Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm
Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm
Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery
Production Technique:
CNC Machining Combined With Hand Carving And Finishing
Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping - Zizindikiro
- Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
- Teknoloji Yopangira
- The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
- Vuto la Dizayini
- One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
- Kafukufuku
- This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
- Chilimbikitso
- The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan. - Nthawi ya Polojekiti
- The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
- Mdondomeko ya Ntchito
- The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
