Guanshan Chizindikiro cha Mtundu wa Bizinesi ndi Hong Jia Min

Dizayini ya Guanshan Chizindikiro cha Mtundu wa Bizinesi ndi Hong Jia Min ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zithunzi, Zojambulidwa ndi Kulumikizana Mwazithunzi.

ChitsuloZithunzi· 2025

Guanshan Chizindikiro cha Mtundu wa Bizinesi

ndi Hong Jia Min

Kasitomala: Jijia Brand Creative Studio

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Zithunzi

2,022

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #172951

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Guanshan Chizindikiro cha Mtundu wa Bizinesi

Guanshan ndi chizindikiro cha mtundu wa bizinesi chopangidwa cha sitolo ya tiyi wa mkaka. Kapangidwe kake kamagwiritsa ntchito zilembo za Chitchaina ngati maziko ake ndipo kamasintha kamangidwe ka calligraphy yakale ya "clerical script" pamene kakusunga mzimu wake wachikale. Chizindikirochi chachokera ku maonekedwe achikhalidwe cha Kum'mawa, ndipo chimaphatikiza zithunzi za mapepala a ink wash ndi ziwiya za tiyi. Chizindikiro chachikulu chikuwonetsa mpepala ndi kapu ya tiyi mu mapangidwe osakanikirana, kupanga tanthauzo lawiri. Mizere ya ink brush ikusonyeza gome la nsungwi la mpepala wozungulira wachikhalidwe, pamene mawonekedwe a kapu akutengera mbale za tiyi za Jianzhan.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

Guanshan Chizindikiro cha Mtundu wa Bizinesi ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. Guanshan Chizindikiro cha Mtundu wa Bizinesi akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. Guanshan Chizindikiro cha Mtundu wa Bizinesi amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Miyezo ndi Kuphimba: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Zizindikiro: Oriental, Creativity, Tea , Ink Painting, Chinese
Teknoloji Yopangira: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Vuto la Dizayini: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Kafukufuku: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Chilimbikitso: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Nthawi ya Polojekiti: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Mdondomeko ya Ntchito: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Petensi: Copyrights belong to Hong Jia Min, 2024.
Mamembala a Gulu: Hong Jia Min
Mwini Zithunzi: Hong Jia Min