Dizayini ya Pinnannousu Chiwonetsero cha Kusema Ayezi ndi Roboti ndi Jussi Angesleva ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2024 Mphoto ya Golide ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zoyikidwa.
GolideZoyikidwa· 2024
Pinnannousu Chiwonetsero cha Kusema Ayezi ndi Roboti
ndi Jussi Angesleva
Wopambana pa Mphoto ya Golide ya A' Design Award mu Gawo la Zoyikidwa
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #158890Kapangidwe
Za Pinnannousu Chiwonetsero cha Kusema Ayezi ndi Roboti
Chiwonetsero cha chosema chosungunuka pang'onopang'ono, pomwe roboti yamafakitale imadula chidutswa chachikulu cha ayezi kuti ipange lenzi yowerengeka yomwe imapotoza kuwala koyang'ana n'kukhala zithunzi pakhoma, zolembera pulasi digiri awiri ya Celsius, chenjezo lowopsa la kukwera kwa kutentha padziko lonse. Ntchitoyi imaphatikiza chiyembekezo cha ukadaulo wapamwamba ndi mavuto osakhalitsa apadziko lonse omwe alibe malire. Kulowererapo kumangothandizira kufulumizitsa njirayi.
Chidziwitso
Za Mphoto ya Golide ya A' Design Award
Pinnannousu Chiwonetsero cha Kusema Ayezi ndi Roboti ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. Pinnannousu Chiwonetsero cha Kusema Ayezi ndi Roboti akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Pinnannousu Chiwonetsero cha Kusema Ayezi ndi Roboti amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
- Miyezo ndi Kuphimba
- Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display. - Zizindikiro
- performance, computational design, robotics, new media, caustics, sculpture
- Teknoloji Yopangira
- An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
- Vuto la Dizayini
- Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
- Kafukufuku
- Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
- Chilimbikitso
- I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
- Nthawi ya Polojekiti
- The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
- Mdondomeko ya Ntchito
- The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
- Petensi
- Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton - Mwini Zithunzi
- IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,
PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Zolipidwa
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