Boundless Forest Malo Olandirira Alendo ndi James Yen

Dizayini ya Boundless Forest Malo Olandirira Alendo ndi James Yen ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2024 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

SilivaMkati· 2024

Boundless Forest Malo Olandirira Alendo

ndi James Yen

Kasitomala: WI.Design

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Mkati

19,326

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #152409

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Boundless Forest Malo Olandirira Alendo

Boundless Forest ndi malo olandirira alendo ku Taiwan. Nyumba ya zipinda ziwiri iyi ili ndi mainchesi 876 masikweya mita ndipo ili ndi malo akunja, malo ogawana ndi ma apartimenti atatu owonetsera. Chimango chamatabwa chazungulira chimango chachitsulo, pomwe magalasi, girili, mtengo wa cypress, miyala ya marble ndi stucco zimakwaniritsa zipangizo zomangira. Mizere yotentha yamatabwa imagwirizanitsa mkati ndi kunja ndipo imawonetsedwa bwino ndi kuwala. M'malo ogawana, mawindo owonera akunja m'malo mwa makoma olimba amabweretsa zomera zobiriwira zozungulira mkati. Kukongola kwa chikhalidwe cha Kum'mawa kukugwiritsidwa ntchito m'njira yosavuta komanso yogwirizana.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

Boundless Forest Malo Olandirira Alendo ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Boundless Forest Malo Olandirira Alendo akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Boundless Forest Malo Olandirira Alendo ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Shared Space-An Expression of Oriental Culture: The project continues the oriental aesthetics, with a modern interpretation of the classic and the new. The gentle and soft tone of the stable wood veneer is wrapped around the steel structure, which has a strong and flexible spirit. The details are composed of glass and brand logos.
Show Apartment-Oriental feminine impression: The warm atmosphere of the wood tone is also displayed in the three show apartments. Especially visualized the gentle feminine spirit in them. With analogy, they have added a human touch to the spaces.
Miyezo ndi Kuphimba: The base has a total area of 876 square meters and consists of two floors. It includes outdoor space, shared space, and three show apartments. The show apartments are available in three sizes: 92.5 square meters (2 rooms), 122.3 square meters (2 plus 1 room), and 155.3 square meters (3 plus 1 room).
The design team was responsible for the construction of the base from start to finish, maximizing natural lighting. The building is a long rectangular shape with excellent lighting on the wide side, allowing the whole room to be bright.
Zizindikiro: Oriental culture, light tone, large space, Scandinavian style, classical style, Oriental style, wood grain.
Teknoloji Yopangira: Building materials: steel structure, glass, grille, cypress, marble, stucco, trims, iron parts, etc.
The project uses wood grain as the main visual. Solid wood can reduce the smell of formaldehyde produced during adhesion. Meanwhile, a warm tone connects the interior and exterior, and the impressive but not exaggerated wood grain texture is highlighted under the lighting. With some stone and steel, the impression of nature is deeply engraved in the minds of visitors.
Vuto la Dizayini: The challenge of the project is "comprehensive design". The conventional arrangement in Taiwan is to divide the design of the reception center into three units, from the building to the interior design. The interior design can be subdivided into shared spaces and show apartments. The project was a combination of time, cost, and manpower management. As well as the large size of the site, the scale of each design and the perspective of the design team had to be extended. Ultimately, since the design team is solely responsible for the project, the theme and aesthetics are consistent.
Kafukufuku: The project is a reception center named "Boundless Forest", which echoes the surrounding environment. As a neighbor to the lush greenery, the natural scenery is also the core of the reception center. The project is a metaphorical blend of oriental aesthetics, providing a comfortable atmosphere for visitors.
A classic design must keep up with the times. The project is based on a strong oriental style with a minimalistic approach to reveal the tone of each space, with a few planting touches. The goal of the reception center is to showcase the style and design of each room.
Chilimbikitso: The project is a reception center that aims to showcase the various possibilities of space. The design team combined the greenery of the base and the characteristic wooden frame structure to metaphorize the unique beauty of Oriental culture. From the building to the interior design, the design team has created a clear, complete, and unambiguous theme. The project has natural elements such as wood, steel, and stone to immerse visitors and owners in the unique oriental philosophy of Tai Chi, and to create a sophisticated design that echoes the interior and exterior.
Nthawi ya Polojekiti: The project finished in February 2022 in Taiwan.
Mdondomeko ya Ntchito: The purpose of the reception center is to show each unit concretely. Given this, the design team meticulously presented each area of the show apartment in different styles. To avoid fragmentation of the elements, the Oriental culture is delicately integrated into each space, allowing visitors to immerse themselves in the aesthetics. The same design style and lines can reduce the gap in visiting each space, thus achieving a perfect experience. It is worth mentioning that the design team not only analyzed the conditions in the space but also found the advantages of the base.
Mamembala a Gulu: James Yen
Mwini Zithunzi: WI.Design