White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi Po Chuan Kao

Dizayini ya White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi Po Chuan Kao ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

BronzeMkati· 2022

White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo

ndi Po Chuan Kao

Kasitomala: ACG Design International

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Mkati

12,295

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #127343

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo

Nkhalango Yoyera ndi kapangidwe ka mkati mwa nyumba yokhalamo, yokhala ndi malo pafupifupi 42 ping ku Taichung. Dongosolo limaphatikizapo khomo lolowera, khitchini, chipinda chodyera, chipinda chochezera ndi chipinda chophunzirira, kuphatikiza chipinda chachikulu chogona ndi bafa yake pamodzi ndi chipinda chachiwiri chogona ndi bafa yake. Makoma osafunikira anachotsedwa kuti akonze mapangidwe oyambirira omwe anali osokonekera ndi ogawidwa mwauzimu. Mwala wa terrazzo wa utoto wa imvi pakhomo lolowera umagwirizanitsa khitchini ndi chipinda chodyera. Mwala wa marble, magalasi owonera, njerwa za magalasi, ndi mtengo wolimba wopentedwa amakumbutsa miyala, akasupe ndi maluwa, pamene mizere ya kuwala ya aluminiyamu imapereka kuwala kofewa kosalunjika.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. White Forest Kapangidwe ka Mkati mwa Nyumba Yokhalamo amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Miyezo ndi Kuphimba: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Zizindikiro: flowers blooming, relaxing, silence and pure, pink
Teknoloji Yopangira: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Vuto la Dizayini: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Kafukufuku: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Chilimbikitso: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Nthawi ya Polojekiti: The project finished in Jun 2021 in Taichung.
Mdondomeko ya Ntchito: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Mamembala a Gulu: PO-CHUAN KAO
Mwini Zithunzi: ACG Design International