Spark Gitala Yamagetsi Yoyendera ndi Maxwell Brazo

Dizayini ya Spark Gitala Yamagetsi Yoyendera ndi Maxwell Brazo ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zipangizo Zoimba.

BronzeChipangizo Choimba· 2022

Spark Gitala Yamagetsi Yoyendera

ndi Maxwell Brazo

Kasitomala: Maxwell Brazo

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Chipangizo Choimba

39,941

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #126635

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Spark Gitala Yamagetsi Yoyendera

Spark ndi gitala yamagetsi yopangidwa kuti izitha kunyamulidwa mosavuta komanso kuti ipangidwe kunyumba. Thupi, khosi, ndi fretboard zimasindikizidwa pogwiritsa ntchito njira ya fused filament fabrication, pogwiritsa ntchito ulusi wa nkhuni wobwezerezedwanso ndi zopangira za aramid composite m'malo mwa matabwa olimba. Zigawo zamagetsi ndi za makina zimapezeka mosavuta kulikonse, ndipo kumangiriza kwake kumagwiritsa ntchito njira ya solderless wiring. Spark imamalizidwa pogwiritsa ntchito njira zachikhalidwe, kuphatikizapo kupukuta ndi mchenga, kuyika ma fret, ndiponso kuphimba ndi utoto wa nitrocellulose lacquer. Mlatho wokhazikika wopanda mutu (headless fixed bridge) umathandiza kusunga kutalika kwathunthu kwa scale mkati mwa mawonekedwe ang'onoang'ono.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Spark Gitala Yamagetsi Yoyendera ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Spark Gitala Yamagetsi Yoyendera akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Spark Gitala Yamagetsi Yoyendera amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Focuses on sustainability, accessibility, and adaptability through use of computer aided design software and at-home manufacturing. Fully printed guitar body, neck, and fret board using alternatives to hardwoods. Recycled plastic and wood fiber composites used are able to be fully finished and assembled using simple and standard methods. All electrical and mechanical components are domestically sourced and widely available.
Miyezo ndi Kuphimba: Product Dimensions: Width 133.35mm (5.25in) x Depth 57.15mm (2.25in) x Height 768.35mm (30.25in), Scale Length: 25.5in, Fret-Board Radius: 9.5 - Modern C Neck Profile - Single Coil & Humbucker Passive Pickups
- Body/Neck/Fretboard (Timber-fill/Nylon AF80 Aramid)
- Headless Fixed Bridge and Double-Ball End Combo Headpiece
- Angled Switch Tele Titanium Control Plate
- Neck Plate (Bolt-On Style)
- Electrosocket Jack Mount
- Low Profile Truss Rod
- Stainless-Steel Hardware and Threaded Inserts
- Solderless Wiring System
Zizindikiro: Guitar, Electric, Travel, 3D Printed, Sustainablity, Instrument, Music, Design
Teknoloji Yopangira: Realized through Computer-Aided Design and Fused Filament Fabrication technologies. Domestically sourced electrical and mechanical components. Finished using traditional methods (sanding, seating frets, binding, nitrocellulose lacquer finish, etc.).
Vuto la Dizayini: Bio-composite filaments used, while recyclable and or compostable, do not provide adequate structural support for full-scale stringed instruments under tension. Complications with recycled wood-fiber composite filaments required research and testing of additional materials with more effective mechanical properties. Key attributes considered were creep resistance (resistance against deformation under long-term load), tensile strength, elongation at break, density, and ease of printing.
Kafukufuku: Initial research into fundamental basics and history of electric guitar construction was crucial to ensure a playable end product. Standardized dimensions of classic high-end models helped to provide a familiar aesthetic and a framework to work within, and use of widely available and popular components to inform the overall design. Influenced by concepts such as compact modularity, right to repair, and the future of at-home manufacturing.
Chilimbikitso: An exploration to replicate traditional luthier processes through new-age methods of small scale manufacturing and the pursuit of material alternatives for guitar-making. Informed by the idea that making a guitar should be more accessible and experiential; the vision for a transformative guitar able to be printed and assembled at home, inspired by vintage Fender, Steinberger, La Baye 2x4, and lap steel guitars.
Nthawi ya Polojekiti: The continuation of thesis work while at Rochester Institute of Technology, this project has spent some time in design and development. Prototyping done in 2021 and final working model and process book to be completed in 2022. Based out of Litchfield, Connecticut.
Mdondomeko ya Ntchito: Printable and playable, an innovative solution to cost-effectively produce and assemble your own guitar using recyclable materials, encompassed within a compact full-scale travel silhouette.
Mwini Zithunzi: Image #1: Creator Maxwell Brazo, 2022.
Image #2: Creator Maxwell Brazo, 2022.
Image #3: Creator Maxwell Brazo, 2022.
Image #4: Photographer Maxwell Brazo, 2022.
Image #5: Creator Maxwell Brazo, 2022.