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Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality ndi Hsin-Chien Huang

Dizayini ya Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality ndi Hsin-Chien Huang ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2021 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zosangalatsa, Kupanga Zofalitsa ndi Zofalitsa pa Intaneti.


ChitsuloZofalitsa· 2021

Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality

ndi Hsin-Chien Huang

Kasitomala: Oready Innovation Lab

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Zofalitsa

44,927

Mitundu

Kapangidwe

Za Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality

Mawu a M'Bukuli: Three States of Home Gazing ndi pulogalamu ya augmented reality yopangidwa kwa alendo a m'nyumba za zosungiramo zinthu zakale. Pulogalamuyi imabweretsa moyo mʼchithunzi cha Festival on South Street (1930) chojambulidwa ndi wojambula wa ku Taiwan Kuo Hsueh-hu. Owonera akhoza kuphunzira chithunzicho mwatsatanetsatane kunyumba kapena ku nyumba yosungiramo zinthu zakale. Zokumanazo zimalolanso ogwiritsa ntchito kulowa m'dera la Dadaocheng ku Taipei monga limmawonekera mu 1930. Ma subtitles a zilankhulo ziwiri, Chichaina ndi Chingerezi, amathandizira kugwiritsa ntchito mosavuta. Pulogalamuyi ilipo pa zida za iOS ndi Android. Cholinga chake ndi kukonzanso ulendo wopita ku nyumba yosungiramo zinthu zakale komanso kugawana mbiri ndi chikhalidwe cha komweko.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. Three States of Home Gazing Ntchito Yaikulu: Pulogalamu ya Augmented Reality amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera
Through AR technology, we are able to bring Kuo’s work, Festival on South Street(1930), to life. The viewer can take a closer look at the painting whether at home or at the museum. It is even possible to walk into the Taipei Dadaocheng area in 1930 from the painting in the virtual reality. The experience is different from the usual AR technology application, creating a brand new combination between AR and art show.
Miyezo ndi Kuphimba
This AR experience could download with IOS(Apple Store) and Andriod (Google Store).
Zizindikiro
Taiwan, Taipei, Localization, Taiwan Painting, Kuo Hsueh-Hu
Teknoloji Yopangira
As a cultural experience design, utilizing VR to alternate the viewer’s timeline meets the criteria for this project. AR extends and brings scenes and elements of the past into reality right in front of our eyes like a city landscape. With the use of relevant technology linking places and locations with memories is made possible, and is the highlight of this cultural service design. On the subject matter, the emotional appeal of this work and the local artists‘ brushworks records the era of their times and the sentimentality of the people.
Vuto la Dizayini
Kuo Hsueh-hu’s artworks depict the early era of Taiwan. The cultural and historical scenes of Dadaocheng are preserved through his paintings to this day. The core of this project is to see the development of art and culture intertwined through the perspective of Kuo Hsueh-hu. This project not only changes the museum experience but also reproduces the historical and cultural scene, taking the viewers back in time to experience the everyday scenery, as well as, creating opportunities to empathize with the cultural sentiments of the generation.
Kafukufuku
It is expected that the impact of this project will extend to the inheritance of local culture and the re-creation of the museum experience. The representational history of Taiwan is reproduced through the brushworks of Taiwanese artists. This project will contribute to local cultural tourism, creating social welfare, giving ethnic groups a sense of belonging and identity. Despite the viewers having different ethnic backgrounds, this installation can still let the users experience the layers of cultural richness. Using local cultural experiential design as the focus , create culturally synchronized sensory experiential designs.
Chilimbikitso
This AR experience design intends to reproduce the historical period illustrated by the artist Kuo Hsueh-hu. Providing an alternative approach to a two-dimensional viewing of museums artworks, through interaction with illustrations in immersive and expansive environments, enhancing the overall museum experience. Kuo Hsueh-Hu is the most important glue color painting artist in Taiwan. This AR experience is a returned journey to his hometown of his spirit and imagination.
Nthawi ya Polojekiti
The project started in 2019 and finished in 2020 in Taipei,
Mdondomeko ya Ntchito
It contributed interesting aspects to the exhibition and is suitable for every visitor. Immersive virtual reality and highly interactive extended reality, plus bilingual subtitles in Chinese and English, all work together for the users to easily understand and have an intuitive experience. So far, many users have participated in this cultural experiential exhibition. The result of this project not only reflects the overall museum experience, but also made the possibility of historical and cultural education.
Petensi
Copyrights belong to Oready Innovation Lab, Virtual and Physical Media Integration Association of Taiwan and Kuo Hsueh-Hu Foundation, 2021.
Mamembala a Gulu
Director: Hsin-Chien Huang, Wen-Chieh Chang
Producer: Chiung-Yi Hsieh
Co-Producer: Saiau-Yue Tsau
Mwini Zithunzi
https://www.dropbox.com/sh/zgehpybcbxvoqnv/AAAY7f2DZChmPXM_euXQ6zbpa?dl=0

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