Designet Crown of the Sea General Offentlig kunstinstallasjon av Yu Liang Chen er en høyt ansett vinner av den svært prestisjetunge 2020 A' Design Award i Bronse i konkurransekategorien Billedkunst- og Kunstinstallasjonsdesign.
BronseKunst· 2020
Crown of the Sea General Offentlig kunstinstallasjon
Klient: NewLocal Art Studio
Vinner av A' Design Award i Bronse i kategorien Kunst
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Om Crown of the Sea General Offentlig kunstinstallasjon
Havets generalkrone er en offentlig kunstinstallasjon som ligger i Kouhu Township, Yunlin County, Taiwan. Installasjonen måler 10 meter i lengde, 3 meter i bredde og 4 meter i høyde. En ramme av rustfritt stål og sementmørtel danner formen, mens blanke glaserte fliser, oppdelt keramikk, småstein og speilglass dekker overflaten. Benker inni strukturen gir skygge og hvile, og hvit grus rundt sokkelen inviterer barn til lek. Mønstre fra urbefolknings-, Han- og japansk kultur er kombinert. Kronen oppfordrer til respekt for marine ressurser.
Anerkjennelsen
Om A' Design Award i Bronse
Crown of the Sea General Offentlig kunstinstallasjon er vinner av A' Design Award i Bronse, en høyt prestisjefylt anerkjennelse som tildeles enestående design som utmerker seg ved kreativitet, oppfinnsomhet og skarpsindighet. Bronsevinnere er rikt dyktige og påfallende kreative gjenstander som bekrefter designernes store erfaring, fantasi og ressurssterkhet. Crown of the Sea General Offentlig kunstinstallasjon forventes å være en høyt ansett, beundret og verdsatt gjenstand som er bemerkelsesverdig profesjonell og nyskapende. Dette designet, som har vunnet A' Design Award i Bronse, rommer beste praksis innen kunst, vitenskap, design og teknologi og utmerker seg ved sin omtanke for detaljer. Crown of the Sea General Offentlig kunstinstallasjon tilfredsstiller behov på en strålende måte, berører ønsker, sjarmerer følelser og vekker nysgjerrighet.
Bak designet
Pressepakke
Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.
- Unike Egenskaper
- Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
- Dimensjoner og Emballasje
- The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
- Stikkord
- Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
- Produksjonsteknologi
- We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
- Designutfordring
- Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
- Forskning
- The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
- Inspirasjon
- In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
- Prosjektvarighet
- The project finished in November, 2019 in Yunlin County, Taiwan.
- Driftsflyt
- Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
- Teammedlemmer
- Yu-Liang Chen
- Bildekreditering
- Cheng-Mao Liu
Sponset
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