Kouunji Kyakuden Ontvangsthal van Tempel door Hiroaki Iwasa

Het ontwerp Kouunji Kyakuden Ontvangsthal van Tempel door Hiroaki Iwasa is een hoog aangeschreven winnaar van de zeer prestigieuze 2025 A' Design Award in Brons in de competitiecategorie Architectuur, Gebouwen en Constructieontwerp.

BronsArchitectuur· 2025

Kouunji Kyakuden Ontvangsthal van Tempel

door Hiroaki Iwasa

Opdrachtgever: Hiroaki Iwasa Architects Workshop

Winnaar van de A' Design Award in Brons in de categorie Architectuur

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Het Ontwerp

Over Kouunji Kyakuden Ontvangsthal van Tempel

Het project betrof een reconstructie van de 140 jaar oude ontvangsthal, één van de voorzieningen van de boeddhistische tempel Kouunji. De oude ontvangsthal was lange tijd geliefd bij de lokale gemeenschap, maar vanwege ernstige schade door de jaren heen moest deze worden gereconstrueerd. De architect loste deze problemen op door te vernieuwen en te harmoniseren, en ontwierp tevens systemen om de herinnering van de lokale gemeenschap door te geven aan de volgende generatie. Het resultaat is dat de nieuwe ontvangsthal niet alleen een gevoel van nostalgie uitstraalt, maar ook een aanwezigheid in de historische context heeft.

De Erkenning

Over de A' Design Award in Brons

Kouunji Kyakuden Ontvangsthal van Tempel is winnaar van de A' Design Award in Brons, een hoogst prestigieuze erkenning die wordt toegekend aan uitstekende ontwerpen die zich onderscheiden door creativiteit, vindingrijkheid en scherpzinnigheid. Winnaars in Brons zijn ruimschoots vaardige en opvallend creatieve artefacten die de grote ervaring, verbeelding en het vernuft van hun ontwerpers bevestigen. Kouunji Kyakuden Ontvangsthal van Tempel wordt verwacht een hooggewaardeerd, bewonderd en gekoesterd object te zijn dat opmerkelijk professioneel en innovatief is. Dit ontwerp dat de A' Design Award in Brons heeft gewonnen, verwerkt de beste praktijken in kunst, wetenschap, ontwerp en technologie en is uitstekend door zijn aandacht voor detail. Kouunji Kyakuden Ontvangsthal van Tempel bevredigt schitterend behoeften, raakt verlangens, charmeert gevoelens en spreekt de nieuwsgierigheid aan.

Achter het Ontwerp

Perskit

Credits, teamleden en technische details verstrekt door de ontwerper.

Unieke Eigenschappen: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Afmetingen & Verpakking: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Tags: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Productietechnologie: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Ontwerpuitdaging: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Onderzoek: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Inspiratie: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Projectduur: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Werkproces: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Beeldcredits: Photographer Kozo Takayama