Tlanāhuatīlli Coming of Age Tlanexcopinaliztli ītēchcopa Ismail Niyaz Mohamed cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Tepoztli īpan Tlaixcopinaliztli ihuan Tlaixcopinalpatlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.
TepoztliTlaixcopinaliztli· 2020
Coming of Age Tlanexcopinaliztli
īpal Ismail Niyaz Mohamed
Tlanāhuatīlli: Ismail Niyaz Mohamed
Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlaixcopinaliztli Tlamantli
Tlaneltīlīlli Tēmacēhualōni
Xictlaneltilia Tēmacēhualli ītēchcopa #96148Tlanēxtilistli
Ītechcopa Coming of Age Tlanexcopinaliztli
Ipan Xapon, netlazohtalilo in huehcapanoliztli ihcuac ichpochtin huan telpochtin ahci cempohualxihuitl. Ca huel huey ilhuitl ihcuac cahuah intlapalolcayotl auh mocuepah huehuentzitzin ica intlaneltoquiliz, intlatequipanoliztli auh intlaquentializtli. Ca ce netlazohtaloni ilhuitl, zan ce pa ipan nemoliztli. In ichpochtin iuhqui mochihuani quimamah quimono auh in telpochtin quimamah quimono nozo caxtiltecatl tlaquemitl. Cemihcac in ilhuitl mochihua ipan ic ome tonali Lunes ipan Tlacenti metztli.
Tēixīmachōtiliztli
Ītechcopa Mahuizolli A' Design Award Tepoztli
Coming of Age Tlanexcopinaliztli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Coming of Age Tlanexcopinaliztli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Coming of Age Tlanexcopinaliztli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.
Tlanēxtilistli Ītēixpan
Āmatl Tlanextīliztli
Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.
- Cē Zan Ītēchcopa
- Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
- Huēyiliztli īhuān Tlacualtepēhualli
- Nikon D4
1/100 sec f2.8
14mm
ISO 160 - Tōcāitl
- japan, culture, traditional, kimono, bamboo
- Tlachīhualiztli Māchiyōtl
- Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED - Tlanāhuatīlli Nētēcahuilīztli
- The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
- Tlatēmōliztli
- Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
- Tēyōllālīliztli
- The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan. - Tēquitl Cāhuitl
- It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
- Tēquitl Ōhuitl
- I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
- Calpolli Tlācah
- Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model) - Īxiptla Tlanēxtīlli
- Ismail Niyaz Mohamed (Photographer)
Tlacōhualli
Xictlahtlachia Achi Huēca Designers.org
Xictēmoa tlanāhuatīlli, tēquitl īhuān tlanāhuatīlli ītēchcopa totlanōnōtzalcāhuān.
Ōc Cequi Tiquitta
Tlanēxtīliztli Tlanāhuatīlli
Xiquitta ōc cequi tlanēxtīliztli tēixīmachōtīlli īpan inīn tlahtlamanilistli, tlapepenalli ītechcopa īnqualli.