Chair of Soul Icpalli ītēchcopa Wen Jenq Cherng

Tlanāhuatīlli Chair of Soul Icpalli ītēchcopa Wen Jenq Cherng cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2020

Chair of Soul Icpalli

īpal Wen Jenq Cherng

Tlanāhuatīlli: Cherng's Work

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

12,937

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #91651

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Chair of Soul Icpalli

Icpalli Yolotl in icpalli motlalilia inic quimopalehuiliz in tonacayo ihuan yoltlatlaliztli, mahuizauhqui ica mixmelahua. In ihueyica in tlatlaliliztli, in tepotzcuitlapan ipan ixillan ihuan in imamacpalhuazhuan quititlaniya in etic tlahuia ica in ilhuicac tonacayo. In tepotzcuitlapan zan achi coyoltic quipohua in inezca tonacayo ihuan quicehuia in tlahuelli itech in acolli, quechtlan, xillan ihuan itzitzicuiltin. In huehcauh Ming Tlahtocayotl tlachihchihualli quitemaca in tlanahuatilli inic monequi amo tlazolli, achi yeccan tlamachiotl. Cuauhtlahtolli Sulawesi tlalli quichihchihua in ineltic tlacuauhchihchiuhcayotl, mocecnehua ica cuztic tepoztli icxitl ihuan camopaltic Nappa cuetlaxtli icpalpetlatl. Tlanamaquiliztli ihuan tlaxillotiliztli (mortise and tenon) quinepanoa in tlatlamantli, ihuan yolcuecuetl tlacuauhchihchiuhcayotl quinepanoa in icxitl inhuan in icpalpetlatl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Chair of Soul Icpalli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Chair of Soul Icpalli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Chair of Soul Icpalli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Huēyiliztli īhuān Tlacualtepēhualli: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Tōcāitl: Product, Chair, Health, Oriental, Furniture
Tlachīhualiztli Māchiyōtl: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Tlanāhuatīlli Nētēcahuilīztli: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Tlatēmōliztli: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Tēyōllālīliztli: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Tēquitl Cāhuitl: The project started in December 2016 and finished in December 2018.
Tēquitl Ōhuitl: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Calpolli Tlācah: Designer: Wen-Jenq Cherng