Ponto Icpalli Tlanahuatiloni ītēchcopa Roberta Banqueri

Tlanāhuatīlli Ponto Icpalli Tlanahuatiloni ītēchcopa Roberta Banqueri cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2020

Ponto Icpalli Tlanahuatiloni

īpal Roberta Banqueri

Tlanāhuatīlli: Pontoeu

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

10,504

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #83334

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Ponto Icpalli Tlanahuatiloni

Ponto se icpalli tlachihchiuhtli inic tepitzin tlahuelhuica ihuan nepapan calihtic. In tlanahuatiloni quimopalehuia zan quezquitin tlamantli. Ce huehcapan coltic tlamachiotl quichihua in itlacayo, in imahuan ihuan in icuitlapampetlaquiliz. In inetlaliayan ihuan icuitlapampetlaquiliz tlatzacualli tilmahtli, ihuan in inacayotl tlachihchiuhtli inic nemachiliztli quinemachilia in yolic yeliztli. In itlacayo ihuahyo tlachihchiuhtli inic chicahuac malintli cuahuitl, ihuan ce tepoztlacoyoctli yollohtli quichicahua in imahuan. Ce tepoztlacoyoctli tlapalehuiloni ipan X-machiotl quitzitzquia in inetlaliayan. Nepapan tlamantli ihuan tlapaltin cuahuitl huelis mocentlaliz ipan in inepohualoyan in malintli tlacotzitzintin. Ponto quipia inic ce cencalli icpaltin.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Ponto Icpalli Tlanahuatiloni ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Ponto Icpalli Tlanahuatiloni ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Ponto Icpalli Tlanahuatiloni quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The piece has a simple language, executed with few elements, a single elongated line and curves structure the seat, the arms and the backrest. At the point of fitting of turned parts can mix types and colors of wood, giving a unique effect to the whole. The seat and backrest are upholstered, the anotomic and organic form of the seat offer a user comfort. The wooden structure was reinforced with a metal tubular core.
Huēyiliztli īhuān Tlacualtepēhualli: 600mm x 600mm x 740mm the chair
700mm x 700mm x 740mm the armchair
500mm x 500mm x 1000mm the stool
Tōcāitl: Brazil, Furniture, chair, robertabanqueri, braziliandesing, mobiliariobrasileiro
Tlachīhualiztli Māchiyōtl: The execution of the product is due to the union of technology of a machining center of 6 axes with the use of handcrafted processes. The entire external structure was made of solid wood turned, it took an internal reinforcement in metal to give resistance to part of the arm, and to the assembly, the structure that supports the seat is a metallic X shaped tubular structure, the arms were initially made by hand, around manual and later the drawing passed to the program, being executed by the machining center.
Tlanāhuatīlli Nētēcahuilīztli: The creative challenge was to be so simple as to stand, was to be different from the products known in the market, without being pretentious, have personality and functionality, small and light, despite being in solid wood, to run we use a wood called Tauari, light although tough, has light color and allows for dyeing.
Tlatēmōliztli: The seemingly simple design contained a huge challenge, to make two big lines hold the whole set, to have a part that followed and turned an arm to support the user, it took some prototypes and tests of resistance, the first arms broke when subjected to weight that an adult human being applies to the sitting and lifting of the chair, then it was necessary to structure with a metal soul internally, but that alone was not sufficient, we had to study how much it should enter and what angle necessary for the solution to work.
Tēyōllālīliztli: The motivation was to have a simple and elegant product, while small and versatile to get into any space or decor. The language should be contemporary and universal, the use of wood turned and leather, refers us to brazilian modernism, and the minimal of the piece does not refer to the concept of scandinavian simplicity.
Tēquitl Cāhuitl: The project started in july 2018 and finished february 2019, was exhibited in 35 Paralela Fair in São Paulo, SP, Brazil
Tēquitl Ōhuitl: The Ponto line is composed of a family of seats, will meet all the seating needs, simply and small, the seat being rounded and having narrow sides offers a large internal space, something that can only be perceived by sitting, thus, as the comfort that provides the anatomical seat.
Patentēmeh: Copyryghts by Roberta Banqueri Serra, 2019
Calpolli Tlācah: Designer Assistent: Rodrigo Costa da Silva
Woodworkers: Alinor Zanotto
Ricardo Zanotto
Valdecir Zanotto
Factory: Todo Ind. de Móveis
Īxiptla Tlanēxtīlli: #1 Moresco, Ponto, 2019.
#2 Moresco, Ponto, 2019.
#3 Moresco, Ponto, 2019.
#4 Paulino, Ponto, 2020.
#5 Paulino, Ponto, 2020.