Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content. ītēchcopa Nikolaos Ikaros Baskozos

Tlanāhuatīlli Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content. ītēchcopa Nikolaos Ikaros Baskozos cē cencā mahuizzō tēmacēhualōni īpan huēyi 2019 Mahuizolli A' Design Award Bronse īpan Ohtlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseOhtlapechtli· 2019

Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content.

īpal Nikolaos Ikaros Baskozos

Tlanāhuatīlli: Nikolaos Ikaros Baskozos

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Ohtlapechtli Tlamantli

16,919

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #78698

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content.

The challenges include:

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content. ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content. ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Pithos I appreciate your request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Nahuatl to provide an accurate, culturally appropriate translation of this technical design content. quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This litter bin design is based on the form of an ancient Greek terracotta jar. By attributing to the ancient form appropriate and contemporary functionality, the new object becomes vivid, while it triggers memory recollection. The design approach is minimalist. Few interventions were made to the original form. A single casting material is used as the main material which is ideal for enhanced replication.
Huēyiliztli īhuān Tlacualtepēhualli: 660mmx660mmx931mm, stainless steel, fiber reinforced concrete
Tōcāitl: Trash can, litter bin, terracotta jar, ancient, Greek, fiber reinforced mortar, cement, public furniture, street furniture, pithos
Tlachīhualiztli Māchiyōtl: The use of a high-durability casting material was necessary for the construction of this form. Fiber reinforced cementitious mortar was chosen as the main material, which provides high mechanical and aesthetic performance in small thicknesses. The manufacturing process requires the use of a mold which makes this material ideal for enhanced replication. The opening lid is made from stainless steel.
Tlanāhuatīlli Nētēcahuilīztli: The biggest challenge was the research itself, to find an appropriate vernacular form for a contemporary bin. Another challenge, concerning the design process, was to reference the original form only to the point of triggering a memory recollection and not literally replicate it in an obvious way.
Tlatēmōliztli: Vernacular forms from Dodecanese islands, but also forms from a broader spectrum of Greek history were looked into before concluding to the ancient jar as an appropriate form for a contemporary bin.
Tēyōllālīliztli: What inspired this project is a desire to explore a traditional form, an ancient Greek terracotta jar in this case, and to reuse it in accordance with its properties. An ancient terracotta jar was used for storing food or other things, while a trash can is also a temporary storage space for litter. Drawing analogies between an ancient form and a new use for it could result as such to expressive and historically vibrant objects.
Tēquitl Cāhuitl: This design is part of an ongoing project that started in accordance with a Pan-Hellenic Street Furniture Competition for the Dodecanese
islands(2018), but carried on and became a series of street furniture designs.
Tēquitl Ōhuitl: The bin bag is attached to an iron ring. To replace it, at first, one has to open the stainless steel lid. A second shutter seals the waste hole and prevents rainwater from entering the bin.
Calpolli Tlācah: Nikolaos Ikaros Baskozos
Īxiptla Tlanēxtīlli: Image #1: Architect Nikolaos Ikaros Baskozos, Pithos, 2019.
Image #2: Architect Nikolaos Ikaros Baskozos, Pithos, 2019.
Image #3: Architect Nikolaos Ikaros Baskozos, Pithos, 2019.
Image #4: Architect Nikolaos Ikaros Baskozos, Pithos, 2019.
Image #5: Architect Nikolaos Ikaros Baskozos, Pithos, 2019.